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MEIJI NO TAKARA: TREASURES OF IMPERIAL JAPAN: Ceramics Part Two: Earthenware (The Nasser D. Khalili Collection of Japanese Art, VOL V)

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Title: MEIJI NO TAKARA: TREASURES OF IMPERIAL JAPAN: Ceramics Part Two: Earthenware (The Nasser D. Khalili Collection of Japanese Art, VOL V)
by Malcolm Fairley, Oliver Impey, Tamazaki Tsuyoshi
ISBN: 1-874780-06-4
Publisher: The Kibo Foundation
Pub. Date: August, 1995
Format: Hardcover
Volumes: 1
List Price(USD): $820.00
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Average Customer Rating: 4 (6 reviews)

Customer Reviews

Rating: 4
Summary: Synopsis
Comment: The second of two volumes on ceramics, this book covers earthenware and focuses on another great artist-entrepreneur, Yabu Meizan (1853-1934), and illustrates 168 of his earthenwares and those of his contemporaries and imitators, minutely decorated in enamels and gold over a characteristic crackled ground. These wares, under the misleading nane of 'Satsuma', were the most popular of the Japanese craft products which dazzled the Western world in the era of the great exhibitions. An essay by Malcolm Fairley and Oliver Impey demolishes the various myths about the originb of 'Satsuma' put about by Japanese and Western writers in the late nineteenth century, while a biography of Yabu Meizan by Yamazaki Tsuyoshi of Osaka Municipal Museum, illustrated with copious examples of his work from the Yabu family archive and from contemporary illustrations, sheds fascinating light on the evolution of his style and working methods. By assembling such a large and outstanding group of ceramics and presrnting them in the light of pioneering research into their origin and progress, this volume makes a major contribution to the study and appreciation of Meiji art.

Rating: 4
Summary: Synopsis
Comment: The first of two volumes of the catalogue of the Khalili Collection of Japanese Art covering ceramics, this book discusses porcelain. It concentrates on Miyagawa (Mazuku) Kozan (1842-1916), illustrating more than 80 examples of his virtuoso work in porcelain. Kozan brought the medium to new heights of technical perfection not seen before and, ever responsive to market forces, produced wares with shapes and decoration in Japanese, Chinese, and European styles. An essay by Malcolm Fairley and Oliver Impey traces the part played by Japanese porcelain in the international exhibitions of the period, while Clare Pollard contributes an artistic biography based on documentary research in Japan. By assembling such a large group of ceramics and presenting them in the light of pioneering research into their origin and progress, this volume makes a contribution to the study and appreciation of Meiji art. This fifth volume is sold with a free copy of "Volume I: Selected Essays".

Rating: 4
Summary: Synopsis
Comment: This volume is a guide to the last 400 years of Japan's greatest and most distinctive artistic tradition. It explains the techniques used in Japanese lacquer and chronicles the development of the craft in response to Western demand. Edward Wrangham, one of the world's foremost collectors of lacquer, contributes an article tracing the revival of the Rimpa style. This volume of the Collection is sold with a free copy of "Volume I: Selected Essays".

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