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The Last of the Mohicans

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Title: The Last of the Mohicans
by James Fenimore Cooper, Bill Weideman
ISBN: 1-59086-048-9
Publisher: Brilliance Audio
Pub. Date: December, 2001
Format: Audio Cassette
Volumes: 10
List Price(USD): $29.95
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Average Customer Rating: 3.67 (82 reviews)

Customer Reviews

Rating: 4
Summary: An Early Example of American Literature
Comment: Reading this, it's easy to see why James Fennimore Cooper is considered the first true American novelist. A comparison with the rather talky, and overly descriptive English novels of the time, shows that this is vastly different.

First, of course, this is about the exploits of the common man. Hawkeye, the main white character, is the quintessential rugged individualist, eschewing society to live in the woods and travel with his Indian companions.

Then there is the natural setting--the woods and streams and waterfalls of upstate New York, which appear almost as characters, themselves in the novel. And then, of course, there is that most American of stories, the decimation of the Indian populations.

Having not read this book since I was in grade school, I found it suprisingly enjoyable. I was also surprised to find that the true emphasis of the story was the relationship between Hawkeye, the white scout,and the Mohicans, rather than the love story cooked up for the 1991 movie, and that a love interest also exhisted between the young Mohican, Uncas, and Munro's daughter, Cora,who, expediently, turned out to be of mixed race herself.

As historical fiction, this is very accurate. And though the Indians are generally depicted,at their worst, as inhuman savages, and, at their best, as surprisingly bright and sensitive savages, for the time in which it was written, it was probably rather daring, and the most one could expect toward bridging the gap between the races.

In this edition, the N.C.Wyeth illustrations were a real asset. I wish we could go back to the days when books were beautifully bound and contained artistically rendered illustrations. It really adds to the total reading experience.

I would definitely recommend that those who think of this as one of those classics they were forced to read in school, give it a second try. You may be pleasantly surprised.

Rating: 4
Summary: Flawed But Still a Classic
Comment: Set in upstate New York in colonial times, Cooper here tells the story of the stolid colonial scout Hawkeye, nee Natty Bumppo (don't ask), who, with his two Indian companions Chingachgook (the Big Snake) and his son Uncas (apparently newly come to manhood), stumble on a party of British soldiers conducting two fair maidens to their father, the commander of British Fort William Henry during the French and Indian War. Under the watchful eyes of the young British officer who has the girls in his charge and led by a Huron scout, Magua, the party appears, to the indomitable Hawkeye, to be at greater risk than they realize as they trek through the wilderness toward the safety of the girls' father's garrison. And, indeed, Hawkeye's judgement is soon proved right as the scout Magua treacherously betrays the hapless girls in repayment, it seems, for a stint of corporal punishment inflicted on him previously by their absent parent. Since the Hurons, Magua's native tribe, are culturally akin to the Iroquois who are the herditary enemies of the Algonquin Delawares, from whom Chingachgook and his son hail and among whom Hawkeye has made his home and friendships, a natural antagonism has arisen almost at once between Hawkeye's party and the Huron and this proves salutary, when danger finally strikes. The tale quickly becomes a matter of flight and pursuit through thickly overgrown primeval forests, over rough mountains and across broad open lakes as the beleagured travelers first elude and then flee the dreaded Iroquois (allies of the French) who have joined the renegade Huron in an effort to seize the two girls. After a brief respite within the safety of William Henry however, the tables are once again turned as Magua's perfidy puts the girls once more at risk. And now the story shifts to a manic pursuit of the fleeing Magua who means to carry off his human prey in order to finally have his revenge on the girls' father, on the British and on the Europeans, generally, whose presence in his native country he blames (not altogether unjustifiably) for his myriad travails. Written in the fine tradition of the 19th century romance (which, of course, is what this book is), Cooper picked up where Sir Walter Scott (the venerable founder of this particular novelistic tradition) left off, creating a rich historical tale of adventure, nobility and marvelously sketched characters set against a brilliantly detailed natural landscape. If his characters are less keenly drawn than Scott's they are no less memorable for, in the quiet nobility of the scout Hawkeye lies the strong, silent hero of the wilderness which was to become the archetypical protagonist of the American western. And the Indians, Chingachgook and Uncas, are the very prototypes of the noble savage, so much used and over-used today. This is a tale of action first and foremost without much plot but so well told that you barely notice, as our heroes flee and pursue their enemies in turn until the very quickness of the prose seems to mirror and embody the speed of the action. Nor is this book only to be read for its rapid-fire rendition of flight and pursuit, for it touches the reader on another level as well, as the bold young Uncas moves out ahead of his comrades to place himself at risk for the others and the woman he loves. Although we never see Uncas at anything but a distance and never get to know the man he is supposed to be, he is yet a symbol of that people of whom he is the last chiefly descendant, the Delaware Mohicans. Nobly born into the finest of Mohican bloodlines, Uncas faces his final trial with heroic energy and resolve in order to defeat the nefarious and twisted Magua. Yet this struggle is also the final footnote in the story of a people, marking the closing chapter for all those Indians who, with the Mohicans, have seen, in Cooper's words, the morning of their nation and the inevitable nightfall which must follow. The book is a bit short on characterization and plotting and the prose is heavy for modern tastes, but the action is richly visualized in the flow of the narrative and the images are compelling. In the end, despite its flaws, this book of Cooper's is, in fact, the classic we have been told it is. -- S. W. Mirsky

Rating: 5
Summary: A true classic
Comment: I never really had any intention of ever reading this booking, having assumed that it was romanticized nonesense, but after watching the movie, and, for some reason, enjoying it, I decided that the time had come: I had to read the book.

So I did. At first, I'll admit, the going was a little slow, as the writing is somewhat fanciful and the dialogue stilted, but this awkwardness became less of an issue the more I became enthralled by the story.

Having seen the movie in advance, it was interesting to see how much the movie had in fact diverged from the story. Actually, aside from many of the characters, the setting, and the general premise of the story, the movie is quite different from the book. So much so, that it is safe to say that the movie has totally failed to capture the true spirit of the novel, and is little more than the typical Hollywood historical romance. The most unfortunate aspect of the movie, however, is how the "patriotic" element was incorporated--this is simply not in the book. I do have to say that the movie in its own right is good, but it utterly fails as an adaptation.

The is no doubt that Last of the Mohicans is a classic. It is a book that I know will be reread a number of times before my time comes, and I'm sure with each reading, new meaning and insight will be found in its pages.

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