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The Complete Handbook of Novel Writing: Everything You Need to Know About Creating & Selling Your Work

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Title: The Complete Handbook of Novel Writing: Everything You Need to Know About Creating & Selling Your Work
by Meg Leder, Jack Heffron, Writer's Digest
ISBN: 1-58297-159-5
Publisher: Writers Digest Books
Pub. Date: July, 2002
Format: Paperback
Volumes: 1
List Price(USD): $17.99
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Average Customer Rating: 5 (5 reviews)

Customer Reviews

Rating: 5
Summary: Inspiration For Would Be Writers
Comment: Since I have yet to write "the great American novel," I probably cannot critique a book such as THE COMPLETE HANDBOOK OF NOVEL WRITING, since I have yet to have a book published. I do want to write a novel one day, and I have been doing quite a bit of writing and rewriting. I have also been doing quite a bit of reading of novels and books on writing theory and have taken part in writing workshops. All of these things have been helpful, particularly the writing workshops. Yet as I write, I do have questions about what I am doing, and like to read practical advice from writers who have been published. THE COMPLETE HANDBOOK OF NOVEL WRITING is such a resource. It contains articles about writing theory and craft, information about genres, and the various markets. The articles have been published in WRITER'S DIGEST magazine and most are penned by well known writers. I am finding the book to be a great reference tool. I have found the book particularly helpful when I have a question about some aspect of writing or need advice and inspiration to keep writing.

In the past year I have found that nothing is as helpful as being in a workshop atmosphere, but at those times when I need the advice of an expert, quite often the answer is at my fingertips in this book.

Rating: 5
Summary: Diverse Goldmine
Comment: Any aspiring writer should be grateful for this anthology to study. Although the considerable diversity here does not a completely unified voice make, each article (previously published in Writer's Digest) has tips and inspirations for the aspiring novelist. From Richard Russo's exploration of place and character to mystery novelist Sue Grafton's use of a journal to get her right brain going-from Jeanne Cavelos's observation that horror is a genre uniquely dependent upon emotion-and what scares you is the secret source of fear-this book is a diverse gold mine of writing technique nuggets. Here you will find James Patrick Kelly talking about the need to "murder your darlings"-the phrase that Stephen King borrows in his On Writing book. Helpful boxes of related books, how to write proposals and Evan Marshall's chapter on novel synopses (which I didn't even know existed!) for agents; personal anecdotes and articulate easy-to-read tips from authors either great or best-selling or both make this a useful, inspiring, and exciting book-perhaps the best overall I have read on the craft of fiction. How does screenwriting relate to novel writing? How do you create a believable character? How do you integrate exposition? How do you create suspense? How do you revise or deal with criticism? What means emotion and motivation? These are the kinds of core questions addressed in this fun technique book.

Rating: 5
Summary: A delightful experience
Comment: I have several excellent books on screenwriting, which is a topic of strong interest. I happened to see this at a library, checked it out, and decided I had to own it. Unlike "Story" by Robert McKee, which is a wonderful book, this book has the viewpoints of several different writers. I find the pages very exciting, because you see the world better and differently as you proceed. Another book that did that for me was "The Stanislavski System" by Sonia Moore. Or earlier in my life, "Gestalt Therapy Verbatim" by F.Perls. Whereas some books are like a river that flows gently, this book delivers a series of aha moments. I am not a beginning writer, but beginning in fiction.

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