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Title: Elisabeth Schwarzkopf by Alan Jefferson ISBN: 1555532721 Publisher: Northeastern University Press Pub. Date: 1996 Format: Hardcover Volumes: 1 List Price(USD): $29.95

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Average Customer Rating: 4

Rating: 4
Summary: A needed balance for both artist and woman?
Comment: I've been waiting for three months to write this review, because I didn't fully understand Jefferson's points: on the one hand this biography resembles a cultural history of postWeimar era (he certainly is an expert in that field); on the other, he starts promisingly what seems is going to be a series of unveiled actions and secrets and deeds performed by Schwarzkopf in Berlin and elsewhere. But he doesn't honour his promise. He limits to suggest that she could've been Goebbels' favourite (lover); that she exercised her radiant and ravishing looks to gain the favour of producers, directors in Berlin and Vienna within a rapacious careerism. He doesn't go any further. Jefferson himself has responded to criticism in Amazon.com saying that he wrote about someone who's still alive and his pains with Editor Victor Gollancz, all of which didn't allow him too much room to display the "proof he has in his hands about Schwarzkopf's deeds with the Nazi Party". We all know if we read in Grove that Schwarzkopf was "cleared" by the Allies late in 1947; so I don't think Jefferson is saying nothing new. We also know that her marriage to perfectionist Walter Legge resulted in a master-slave relationship. But to my view, and as an admirer of Schwarzkopf's art, Jefferson's account is more a ratifying document about human frailty, in this case Elisabeth Schwarzkopf's. I hoped I was going to find in this book some sort of balance between John Steane/Alan Sanders' Schwarzkopf: A career on records and Jefferson's book. The formers put Dame Elisabeth under the light of a goddess. Well, I must say that a goddess of magic with words she was, and that she was quite capable of bringing tears to one's eyes when performing with her voice. Jefferson and Steane: The supreme artist and the very earthly creature. Jefferson's book has several merits: one of the strongest is his marvelous way with Schwarzkopf's interpretations. In spite of his tendency to be dry his reviews and metaphors are very good indeed. As formyself I rather keep in my mind, as when I heard her "in the flesh" and turned pages for Geoffrey Parsons, the memory of Dame Elisabeth's quintessence of femininity, of beauty of looks, of beauty of voice and of sounds that cannot be forgotten. THE BALANCE WAS LOST!!!