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Impro: Improvisation and the Theatre

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Title: Impro: Improvisation and the Theatre
by Keith Johnstone
ISBN: 0-87830-117-8
Publisher: Theatre Arts Books
Pub. Date: 01 June, 1979
Format: Paperback
Volumes: 1
List Price(USD): $19.95
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Average Customer Rating: 4.85 (20 reviews)

Customer Reviews

Rating: 5
Summary: Not a theatre book, but a teacher's manifesto
Comment: Keith Johnstone's book has influenced countless acting classes. Many artists who have not yet heard of this book are doing exercises based on his experiments in England with actors using improvisation to discover status operations within a scene, narrative structure, and the importance of structure and process over "content" (a sticking point for the improvisator, the public speaker, and everyone who has ever said, 'I can't think of anything.') It also provides one of the best short introductions to mask work around. So it might seem like an indispensable theatre book. And it is that. Indispensable.

Yet read Johnstone's first chapter - a memoir of his early teaching career, in which he discovered the process by which children learn to be uncreative as a tragic coping skill. This is not a theatre book. Theatre classes were the arena, but this is a book about teaching! This is about opening doors that have been slammed shut, and acquainting people with the creativity and exuberance that is everybody's birthright. The exercises, and analyses of his students' work with improvisation, along with Johnstone's unflagging faith in every person's imagination, have much to show us even on repeated readings and practice.

Rating: 5
Summary: The bible of creativity! Buy this book!
Comment: This book is the absolute bible of improv and acting. Keith Johnstone takes you step by step through his approach to teaching. The exercises he uses really work to get our intellects out of the way of our creativity.

The section on status is extremely useful. As a testament, I used some of them in my beginning improv class and amazing things happened. The class understood and became more aware of how we use status in every moment of our lives. Scenes immediately became more interesting and real. I look forward to the mask activities. The only negative comment I can make is that a few of the exercises were not clearly explained. Johnstone's descriptions, at times, assume previous knowledge of the game being described. This is a book every actor and improver should read. It will expand your creativity and improve your physical awareness onstage. Enjoy it!

Rating: 4
Summary: Absolutely entrancing
Comment: I'm not an actor, have no experience of improvisational theatre (not even seen any!), but I loved this book. A fascinating glimpse into a highly creative and original mind, and funny as heck, especially the section on Status. This book would be of interest to teachers, particularly those teaching arts (including but not limited to language arts).

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