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Title: Beethoven by Maynard Solomon ISBN: 0-8256-7268-6 Publisher: Schirmer Books Pub. Date: 01 September, 2001 Format: Paperback Volumes: 1 List Price(USD): $19.95 |
Average Customer Rating: 3.88 (17 reviews)
Rating: 5
Summary: THE IMMORTAL COMPOSER
Comment: This is the second edition of Solomon's biography of Beethoven and it is an improvement in terms of both analysis and lucidity.
The book is written from a psychoanalytic point of view that all may not find convincing. However, the rudiments of Mr. Solomon's analysis, in terms of tracing Beethoven's life problems, his difficulties with women, with peers, and with himself to his childhood experiences probably transcends any specific psychological dogma and is insightful.
The book is a biography rather than an attempt at technical musical analysis. Even so, it elucidates the music well and with an obvious love for it. I found the discussion of Beethoven's final period works, and of his sometimes neglected vocal writings, particularly good.
The sections on Beethoven's relationship with Haydn, on his testament written upon the discovery of his impending deafness on the immortal beloved, and on his relationship with his nephew are all thoughtful and helped me better understand Beethoven.
A wonderful book for anybody who loves this composer or wants to learn more about why other people love him.
Rating: 4
Summary: Good but not definitive
Comment: How to describe Solomon's very good book on Beethoven? It is part psychohistory, which is always a perilous operation for a writer. I am one of those people who actually like Freud, but sometimes Solomon's psychoanalysis irritated me, and I was always glad when he left the couch and went back to more or less solid facts. There is a huge chapter on the Immortal Beloved that bored me after a couple of dozen pages, but those particularly interested in this aspect of Beethoven's life are in for a real treat! I'd like to have seen more discussion of B's politics and social views; Solomon's discussion of these is, overall, pretty thin.
But Solomon's weaknesses (and that is my judgment) do not ouweigh his great strengths. He has certainly done his homework on B's life, and he is a skilled writer and a patient, tireless researcher. He knows his Thayer as well, and he isn't above questioning long-held assumptions about this flawed but very great man. Solomon's discussion of B's music is sufficient for a biography (those who want a lot of details on the music should go elsewhere), and he does a great job of showing how the composer followed the classical models and broke away toward romanticism. He does well in showing the man's great genuis without ever worshipping him (the way 19th century music lovers did). No doubt about it, Beethoven was a real crumb in a lot of ways, and Solomon makes this clear.
As good as this book is, I wouldn't call it definitive. I imagine some bright peson coming along some day who has a deep understanding of the Enlightenment, of early romanticism, of music, and of German and Viennese society who will give a truer picture of the man in his full context. It is very difficult to describe music in words, but my imaginary writer will be adept at this as well. Until this person comes along (and we're talking about a reincarnation of Samuel Johnson or Shakespeare), Solomon will do just fine.
Rating: 5
Summary: I love Beethoven!
Comment: This is a well researched, delightfully written book about one of the world's greatest composers of classical music. If you read it, you'll know a whole lot more about the man, his family, his friends and colleagues, his music and his times.
Beethoven was born and raised in Bonn, Germany (1770-1827), but as soon as he could he gravitated to Vienna (Austria), because that was the capital of the Empire (Austro-Hungarian) and that's where the greatest musicians lived and where the greatest opportunities in music were. Beethoven showed some musical promise early in life (though he was no child prodigy like Mozart) and by age 15 he was already composing and performing in public. He eventually learned to play a number of instruments, but by 15 he was already a virtuoso on the piano and in his prime he was the best pianist in Vienna.
Beethoven enrolled at the University of Bonn in his teens but soon withdrew because he preferred to study independently - by reading the classics and the other greats of the day (Kant, Goethe, Schiller, etc.) and through tutoring in musical composition and performing. He eventually studied in Vienna with one of his 'music heroes' - Franz Joseph Haydn. (His other 'music heroes' included Mozart, Haendel, Glueck, and Cherubini).
Beethoven's life was filled with numerous successes, achievements, rewards, etc., he eventually composed some 600 pieces of music of all kinds, and he knew at the end of his life that he'd won the only kind of immortality in which he himself believed - that which man could earn personally through his own efforts here on Earth. But his life was not all 'milk and honey'. Beethoven also encountered much adversity in life that caused him great mental anguish, sorrows and disappointments. He was disappointed, for example, in his family (all commoners!) - and especially in his two brothers (non-achievers!). He was mainly unsuccessful with women: he could rarely find a suitable candidate - and when he did, he would always opt in favor of his career over a wife. He was unhappy with Vienna and it's noble class: both were slow to recognize his genius and reluctant to properly reward him for his accomplishments - with money or with a permanent position. He also had problems with music publishers (Beethoven was, basically, a free lance composer-businessman), and he was greatly disappointed when Napoleon decided to crown himself Emperor of France. In the end these adversities wore Beethoven down, and as he aged his behavior and manners became increasingly course and rude and his appearance, sometimes unkempt and bizarre. He experienced various health problems throughout his life and his hearing was gone completely by the age of 47. Nevertheless, Beethoven, never ceased working and creating new masterpieces. He almost always maintained his disciplined work ethic and he always carried a notebook in which he could record fresh ideas about music that he was always contemplating in his mind. He'd jump out of bed in the night to record music he was hearing in his dreams.
This book contains useful, interesting facts and information from a variety of sources - including the 'conversation books' that Beethoven used to exchange thoughts with his friends after his hearing no longer permitted him to converse aloud. We know from these materials that Beethoven thought the choice of certain musical keys was important in creating certain sentiments, atmosphere, and emotions in programmed music. We learn his thoughts on music critics and the nobility. We also learn what his last words were: "Schade! Schade! Zu Spaet! ("Pity! Pity! Too late!") - that he uttered on his death bed when he saw some of his favorite wine being delivered.
In conclusion: if you love classical music, you'll love this book!
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Title: Mozart : Life, A by Maynard Solomon ISBN: 0060926929 Publisher: Perennial Pub. Date: 14 February, 1996 List Price(USD): $22.00 |
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Title: Late Beethoven: Music, Thought, Imagination by Maynard Solomon ISBN: 0520237463 Publisher: University of California Press Pub. Date: 01 May, 2003 List Price(USD): $29.95 |
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Title: The Beethoven Compendium: A Guide to Beethoven's Life and Music by Barry Cooper, Anne-Louise Coldicott, Nicholas Marston, William Drabkin, Cooper Barry ISBN: 0500278717 Publisher: Thames & Hudson Pub. Date: August, 1996 List Price(USD): $24.95 |
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Title: The Classical Style: Haydn, Mozart, Beethoven by Charles Rosen ISBN: 0393317129 Publisher: W.W. Norton & Company Pub. Date: January, 1998 List Price(USD): $19.95 |
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Title: Thayer's Life of Beethoven, Part I by Elliot Forbes ISBN: 069102717X Publisher: Princeton Univ Pr Pub. Date: 01 January, 1991 List Price(USD): $29.95 |
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