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Iai: The Art of Drawing the Sword

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Title: Iai: The Art of Drawing the Sword
by Darrell Craig, Mark Hunter, Mary Schultz
ISBN: 0-8048-7023-3
Publisher: Charles E Tuttle Co
Pub. Date: June, 1991
Format: Paperback
Volumes: 1
List Price(USD): $16.95
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Average Customer Rating: 4.17 (12 reviews)

Customer Reviews

Rating: 3
Summary: Good as an introduction
Comment: I happened to buy this book amongst others as I have an interest in the history of Japanese swordsmanship and Iai.

I found this book helpful in terms of history, sword-testing and nomenclature; though I found the drawings a big 'sketchy' at best. For reading purposes this is a good book, with plenty to keep it interesting... but if you want to know more on the practical side of the art of drawing the blade I'd suggest "Flashing Steel" by Shimabukuro instead. It uses photographs in illustrating points and offers better descriptions in its' instruction.

Rating: 5
Summary: Sword Primer
Comment: This book covers all aspects of Japanese sword.From examining a sword, ettiquete,seppuku, kata and history. This book is a must reference book for any martial artisit who is studying the sword. Iai, iai-jutsu, kendo etc...

Rating: 2
Summary: Not fond...
Comment: Iai: The Art of Drawing the Sword is good as a refresher, at best. Craig opens his tome with some personal history and stories, which is a fine method of doing things, until he brings his own opinion into it. He gives the impression that spiritualism should account for most everything in iaido; as most practitioners are aware, spiritualism is only one aspect, and technique is equally or more important.

Throughout the book, Craig provides small interludes detailing Japanese history, and other information, some of which is accurate, some of which is very much exaggerated, and some of which is not true. While the thought was nice, he should have researched his facts more.

The drawings accompanying his descriptions of the kata are sketchy and vague; a beginner would have difficulty following them, although someone with grounding in another Japanese sword art such as kenjitsu may have better luck. However, with knowledge of the kata, or at least of the mechanics of the motions, a reader would find this book a helpful reminder, as long as he does not try to base his study entirely on this book.

Overall, this is not a terrible book, but there are much better on the subject, with regards to technique, illustration, and history.

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