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Nohow On: Company, Ill Seen Ill Said, Worstward Ho: Three Novels

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Title: Nohow On: Company, Ill Seen Ill Said, Worstward Ho: Three Novels
by Samuel Beckett
ISBN: 0-8021-3426-2
Publisher: Grove Press
Pub. Date: November, 1995
Format: Paperback
Volumes: 1
List Price(USD): $11.00
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Average Customer Rating: 4.88 (8 reviews)

Customer Reviews

Rating: 5
Summary: what are the right words....
Comment: my innate feeling that everybody is under-qualified to comment on this literature is my perverse justification for commenting on this literature. once you weave your way into the strange world of late samuel beckett, there is a universal beauty and humour inherent in the seeming despair of these short works. it is work seemingly void of the thought-provoking trivialities (oxymoron as it is) that can inflict becketts longer, earlier novels, however much i loved them. of course, this work requires much thought and effort but it seems to transcend this in recurring moments of recognition. it is these peaceful moments that encapsulate the beauty of literature and elevate it to realms beyond philosophical speculation. just my two cents. ill-shared.

Rating: 5
Summary: Unbelievable
Comment: These three novels represent Samuel Beckett's greatest accomplishment. What are they about you might ask? Let's just say that they're about everything and nothing. They are profound commentaries on the universal existential crises plaguing all of mankind, and an utterly fascinating reduction of what it means to be a human. Be forewarned: these novels are extremely modern, abstract works of art, and for many will be very difficult reading. The final installment, _Worstword Ho_ is officially the greatest work of fiction, page for page, that I have ever read. It is not for the faint of heart or weak of stomach. These novels are not to be taken lightly and it should be noted that Samuel Beckett put the "high" in highway. This is abstract literary thought at its far-seeing outer limit.

Rating: 5
Summary: ON. TILL NOHOW ON.
Comment: This slender volume brings to us one of the great achievements of 20th century art and it establishes Beckett indisputably as one of the great figures of world literature.
Throughout his long artistic life Beckett had more than his share of blustering critics and disparagers. Yet it was always a matter of assailing Beckett's supposed 'view of life', even with an occaisional embarrassingly small-minded questioning of his 'sanity', and there has never been, and can not be, a substantial and coherent assault upon his artistic ability. It is appalling that there are professional people (and lay) so perverse and petty as to resent a man's artistic genius simply because they feel an aversion to his personal vision. But no matter, Beckett has a substantial body of serious readers whose devotion he has earned, for no artist has struggled more bravely and honestly with his craft.
Though I can read French and have read several of Beckett's works in that language, it is not my native language so I will not presume to assess Beckett's standing as a writer of French literature (though Fin De Partie is unquestionable great writing), but I will put forth the view that Beckett is the greatest English language writer of his generation. Even if he had only written the works reaching from MURPHY (1938) to HOW IT IS (1964)which fall into two basic groups with WATT as a dividing line, he would still have no real peers in international English literature in his time, but the fact that he went on from there to create a third group of works which culminates in the three 'novels' that comprise NOHOW ON is amazing and moves him far out of the reach of any other literary artist of his time or after. It is a simple fact that no one writing today can approach Beckett's artistic standard. He was a genius and more, he was an artist of rare devotion and integrity.
One does not need to be familiar with the long span of Beckett's work to perceive the greatness of COMPANY, ILL SEEN ILL SAID, or WORSTWARD HO, but their greatness seems only deepened by the knowledge that they are preceeded by greatness (WATT, MOLLOY, ENDGAME...). Still I would suggest that if you like NOHOW ON and you are not familiar with Beckett's earlier work that you become so because it will only increase your appreciation of Beckett's extraordinary artistic depth.
Finally, I for one would like to say that few things in my life have moved me as much as Beckett's courageous turning away from an art of 'general truths' and so sensitively and deeply exploring the difficult and often painful mysteries of actual human experience. Beckett taught me that art is a genuine vocation as deep and demanding as any in the world, and more so than most.
Thank you, Sam Beckett.

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