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The Hunchback of Notre Dame (Bullseye Step into Classics)

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Title: The Hunchback of Notre Dame (Bullseye Step into Classics)
by Victor Notre-Dame De Paris Hugo, Marc A. Cerasini
ISBN: 0679874291
Publisher: Random House Childrens Pub
Pub. Date: 1995
Format: Paperback
Volumes: 1
List Price(USD): $3.99
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Average Customer Rating: 4.55

Customer Reviews

Rating: 5
Summary: An amazing and affecting novel
Comment: Simply put, The Hunchback of Notre Dame is one of the best novels I have ever read. I loved Victor Hugo's writing style (or the translation thereof), the comprehensiveness of description of both characters and setting (for the most part), and the ideas that Hugo provoked in me as I went through the book.

The novel is about a beautiful, young, virtuous and romantic gypsy (La Esmeralda), a deformed and deaf bellringer of the cathedral of Notre Dame (Quasimodo), and an archdeacon (Frollo) whose obsessive nature creates the tragedy that all three will realize at the end of the novel.

All three characters have the one uniting feature of unrequited love. Esmeralda seeks the love of Phoebus, an officer whose only interest is that of the carnal nature, and sees the gypsy as only another girl to have his way with. Quasimodo and Frollo each seek the love of Esmeralda, who does not return it due to their physical and (best attempt at description) spiritual odiousness, respectively.

Ironically, the hideous Quasimodo and lovely Esmeralda hold the most in common, as Hugo makes the reader aware that both of them are adopted (and even in their infancy, their lives are linked), and that both are social pariahs, Quasimodo due to his appearance, and Esmeralda due to her gypsy heritage, her beauty, a crime attributed to her, and, of all things, a performing goat she trained, the sum of which tags her as a sorceress. In fact, both, due to these characteristics, are linked with the devil, although their actions show a goodness that outweighs that of any other characters in the novel.

Variations on the notion of "love" are examined in the book, There is Esmeralda's romantic love where she imagines the handsome captain Phoebus to be the embodiment of masculine virtue, Phoebus' physical love where the value of a woman is based on her appearance and promiscuity and lasts until he's satisfied his physical urges, Frollo's obsessive love where a person, whose life is spent on monomaniacly focusing on his faith, his studies, and alchemy, finds a beautiful young girl in his sights (his love amounting to a sickness, his resulting actions morbid symptoms), and Quasimodo's love, based on the kind acts of another. This last love is the only one of the three not focused on one's appearance, as Quasimodo does not develop this affection until Esmeralda soothes him while he is tortured for trying to kidnap her at Frollo's (his adoptive father) direction. It is Quasimodo's love and his expression of it in acts of kindness, not to mention saving Esmeralda's life once and trying to do so a second time, that makes him such an endearing character.

This novel also has some incredible descriptive moments, such as the dark streets of 15th century Paris while Frollo wanders in a state of confusion following what he thinks is the death of the woman he loves, and the depiction of Paris at dawn, quaint and placid just before the story's most tragic climax.

Hugo also provides some description of the architecture of the cathedral itself, which I found very interesting, and a description of the layout of Paris in the 15th century, which I found not so interesting, due to my unfamiliarity with the city itself and the history thereof, although a French reader, especially one in the 19th century, would have probably appreciated it. This is the only element of the novel that I did not like, and it is but one chapter.

This story grabbed me, and I was hanging on every word Hugo wrote. I found myself emotionally affected at many points of the story, which is not something that often occurs when I read a novel. I was so impressed with the book that I got Les Miserables after only reading 100 pages of Hunchback. I give this novel 5 stars, and it deserves every single one of them.

Rating: 5
Summary: Hollywood always loses the plot
Comment: Having seen at least two Hollywood versions of this story (we won't even mention the Disney monstrosity!), I eagerly looked forward to reading Victor Hugo's original. As his superior writing unfolded the story, I soon realised that the four movie versions that have been made were conceived by people with very limited scope and understanding!

The story of 15th century life around the edifice of Notre Dame cathedral is brought to life through Hugo's descriptions that allow you to hear the noise of the hustle and bustle of the people and smell the scents that waft about the place. You feel the torturous loneliness of the deformed bellringer, Quasimodo; the pain of the forbidden lust that Claude Frollo has for the beautiful gypsy, Esmeralda; and the despair and terror of Esmeralda as she is accused and sentenced to death for the murder of her lover, Captain Phoebus!

It's a great book...I'll never be able to watch the movies ever again!

Rating: 4
Summary: A Book for the Lonely
Comment: I don't know why this is, but classic books are often bound into heavy, dark tomes and printed in the tiniest print with almost no space between the lines. Perhaps the publisher imagines these books will not actually be read anymore, but instead are supposed to serve as fillers for the large shelves in aristocratic libraries and behind lawyers' desks.

Well, for those of us who still like to dust off the classics and read them, TOR's edition of the Hunchback of Notre Dame serves nicely. It's bound in a modern style--small, with an intriguing cover, with easy-on-the-eyes print. And, it's complete and unabridged (accept no substitutions on this point, otherwise you're depriving yourself of the grand vision of the artist). Also, TOR's 458-page mass market paperback is only [$]--when was the last time you got so many hours of entertainment for so little?

The Hunchback of Notre Dame is a dark, desperate novel, filled with mist and moonlight and echoes in the lonely streets of 15th century Paris past midnight. In the main, it tells the intersecting stories of three lonely characters, each aching in their own way. There's Claude Frollo, archdeacon of Josas, who's spent his whole life cloistered in the tight garb of Catholicism. There's La Esmeralda, an enchantingly beautiful gypsy who's searching for her long lost mother. And, of course, there's Quasimodo, the malformed, hunchbacked figure haunting the shadows of the Cathedral of Notre Dame.

Hugo knows how to tell a story--there is plenty of irony, a few good surprises, and some excellent characterization. He paints the dark places of humanity: people struggling to survive, to find hope in the midst of horror, each clinging in some way to a dream that can never be realized.

One drawback of the book is its pacing, which, at times, slows to a crawl. For example, there is a long chapter on the layout of Paris in the 15th Century, which, if you're not a city planner or fastidious historian, can get pretty long and boring. Even Hugo seems to know it becomes boring, because he recaps so often. Also, Hugo often breaks the fourth wall and directly addresses the reader, which can be distracting and anti-dramatic at times. Thirdly, I would have liked to spend some more time with that loveable wretch, Quasimodo. He has a big part in the end, but not much more. But don't let these minor annoyances stop you from reading a great story.

If you have patience, The Hunchback of Notre Dame will rebuild the gothic Notre Dame of stone in words; if you have imagination, it will acquaint you with the adventures of some extraordinary characters; and if you have a heart, you will shed a tear for Claude Frollo, La Esmeralda, and Quasimodo.

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