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Robertson Davies: Man of Myth

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Title: Robertson Davies: Man of Myth
by Judith Skelton Grant
ISBN: 0-670-82557-3
Publisher: Penguin USA
Pub. Date: 01 November, 1995
Format: Hardcover
List Price(USD): $35.00
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Average Customer Rating: 3.67 (3 reviews)

Customer Reviews

Rating: 4
Summary: Canada's greatest Jungian
Comment: The biographer's reverence for her subject is restrained but evident. If there was a dark side to this great old man of Canadian letters, hardly a shadow of it is to be found here. The figure who emerges from this book is a small-town boy -almost a backwoods boy - whose imagination flourished in the unbearable stuffiness of early twentieth-century Ontario. Davies' greatest private enthusiasm seemed to be his repeated trips to the U.K. He did a less-than-outstanding Oxford BA, and fell in love with the place, there meeting an Australian who became his wife.

Fans of Davies' eleven novels will find ample links between the life and the works; they will also learn much about his unremitting early attempts to become known as a playwright, a genre in which he made less much of a mark than with his novels and his journalism (the latter effort highlighted by his 1950s and 60s stint as editor of The Peterborough Examiner).

Davies' role in the early 1950s startup of the Stratford Festival is an accomplishment not to be overlooked; for that alone, he would merit top ranking in the annals of Canadian Shakespeariana. If the Bard was Davies' first intellectual love, Carl Jung would likely be the second. My favourite passage in the 700-plus pages of this splendid biography is on 461-62, where Davies is quoted at some length on how Jung viewed the "second half" of life - the 40-plus years - as the truly magic time of existence. A second memorable passage comes at pages 484-85, where the author (for once, with immodesty, but here deserved), reveals how she asked Davies to see his preparatory notes for THE CORNISH TRILOGY. Davies politely refused the request in a letter which might be seen as his essential statement on the art of fiction. Here is its key sentence: "The imagination is a cauldron, not a filing cabinet." We should all paste these words on the top edge of our computer monitors.

Rating: 2
Summary: Fawning portait of still living (when written) author
Comment: this was a christmas gift several years ago and while I ADORE everything that Davies wrote (esp Rebel Angels), this was a fawning, name-dropping, dull, pendatic read. Davies, I believe, was still living when it was written, and he cooperated in the writing of it, so there is no critical look at him, his life or really any aspect of his writing.

I look forward to a new biography that doesn't treat Davies as a sacred cow. I grew up in the same area where davies was a newspaper editor and theatre guy and his put-on english accent and snobbiness didn't impress the people of my grandmother's generation.

Still, I appreciate his writing, but wished this was a truer portrait of him, warts and all. I found it a drudge to go through

Rating: 5
Summary: Outstanding biography of a Canadian "icon"
Comment: Judith Skelton Grant has done an absolutely outstanding job of giving us everything we wanted to know about Robertson Davies: his background and roots in small town Ontario, his three careers (acting, journalism, academia), critiques and illuminating discussions of his plays, novels, and occasional writings, his beliefs and philosophies, and so on. I could not put this book down; read the first 500 pages in two sittings and finished it on the third. Let's hope that she brings out an updated version to take the story up to Davies' death; as it is, there is no discussion here of his fine last novel, The Cunning Man. END

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