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The Mysterious Stranger (The Mark Twain Library No44)

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Title: The Mysterious Stranger (The Mark Twain Library No44)
by Mark Twain, John S. Tuckey
ISBN: 0-520-04545-9
Publisher: University of California Press
Pub. Date: January, 1983
Format: Paperback
Volumes: 1
List Price(USD): $14.95
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Average Customer Rating: 4.14 (14 reviews)

Customer Reviews

Rating: 5
Summary: The Mysterious Stranger is Essential Today
Comment: I have taught this book at the college level for a few years now; it definitely sheds Twain's unfortunate Americana image, and it reveals the darker genius of this "beloved" author. Twain's greatest work, The Mysterious Stranger will enrage fundamentalist Christians, several of whom have dropped my course because of this novella. Asking people to think about what is real, what is behind existence, though, is no crime and should be inoffensive. Young people who are harmed by systematic thinking will react to this book like people being deprogrammed from a cult: they will hate it. But Twain, who was in anguish when he wrote this, had the honesty to ask difficult questions. Read The Mysterious Stranger as a guide to Twain's futuristic thinking, his tribute to the mind above all other things.

Rating: 4
Summary: Three supreme masterpieces, one ornery let-down.
Comment: this volume spans the length of Mark Twain's career, and contains some of his most famous shorter works, which all centre on the subject of Money. 'The Celebrated jumping frog of Calaveras County' is the most perfect tall tale in the English language, three flawless pages about Jim Smiley and the bizarre sidelines he would investigate to win a bet, any bet, written in a miraculous mid-19th century California vernacular. If that isn't enough, Twain tops it with the best closing paragraph of any work I have ever read ever.

'The $1,000,000 Bank note' is almost surreal, or Marxist, the story of a derelict made an unwitting guinea pig by two elderly millionaires, curious to see what would happen to an honest but poor man in the possession of such an impractible note. The frightening fetishistic power of currency structures a somewhat creepily benevolent narrative, and the opening paragraphs audaciously cram a novel's worth of misfortune.

'The Man who corrupted Hadleyburg' is the masterpiece here, at once an unforgiving morality tale about the temptation of money on an incorruptible town, and a satire on the crippling effect of bogus social respectability. Twain's irony is at its most relentless here, mixing anger at elite hypocrisy with distaste for the savage mob mentality. The scenes of public justice are hilarious but terrifying; the unnamed man taking monstrous revenge on a whole town for a personal slight, exposing its shams by an experiment, could well be Twain himself.

The same could be said of the hero of his novella 'The Mysterious Stranger', Twain's last, posthumously published work. In this, an angel, Satan, nephew of his infernal namesake, comes to a late 16th century Austrian mountain village and systematically exposes the murderous herd instincts, moral deceptions and shabby pretensions of the human condition. Everything - war, religion, society, justice, family, human aspiration, childhood innocence - is ground down with misanthropic, sub-Swiftian satire.

'Stranger' is not an easy book to like. As an historical novel, it is an utter failure, with no attempt to understand the mindset, never mind the language, idiom or customs of an alien culture. As an allegory for the contemporary America in which Twain was writing, the book is indispensible, insightful, brave, bracing, honest, incredibly prescient, but monotonous, flatly written and exhausting. As a supernatural fable, the book has little sense of wonder or of the unknown, but in its story of a devil wreaking subversive havoc on a socially repressive culture by playing on their hypocritical terms, 'Stranger' does look forward to Bulgakov's more successful 'The Master and Margarita'.

Rating: 1
Summary: Beware!! No.44 and The Mysterious Stranger are not the same
Comment: ... fallen victim to the the same confusion that many others have. The book is titled "No. 44, The Mysterious Stranger" from the Mark Twain Library (It is NOT No. 44 in the series as often listed.) More importantly it is NOT the same as the story titled "The Mysterious Stranger" to which most of the reviews refer. This story, only published as part of The Mark Twain Library, is a later manuscript utilizing some of the same themes and characters from the better known story, but otherwise completely different. Neither story was published in Twain's lifetime. Following Twain's death his literary executor, A. B. Paine, selected one of three stories written on similar themes, and published it as "The Mysterious Stranger" following some changes and editing including adding an ending which was apparently written for another version. While Paine's changes were controversial, his decision as to which manuscript was worth publishing was certainly correct.

The publishers of The Mark Twain Library series would have us believe that "No. 44" was Twain's own preferred version based primarily on chronology. Twain, however, had a habit of suppressing his own work -- particularly some of his most biting satires (See DeVoto's edition of Twain's "Letters from the Earth.") believing it, perhaps, too controversial for its time.

The story of the evolution of "The Mysterious Stranger" and all three manuscripts as Twain left them can be found in William Gibson's "Mark Twain's Mysterious Stranger Manuscripts."

This story, "No. 44," is a pleasant enough boy's adventure along the Tom Sawyer line, but -- being an unfinished manuscript and having never seen the hand of a good editor-- it rambles around and takes wild unexplained changes in tone and storyline and never really leads anywhere. The grand satire of the better known story is missing, or, at best, severely watered down in this version. To add insult to injury, the television film of "The Mysterious Stranger" was based on this story.

Read the other "The Mysterious Stranger" first and read this only as a curiosity.

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