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"To His Coy Mistress" and Other Poems (Dover Thrift Editions)

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Title: "To His Coy Mistress" and Other Poems (Dover Thrift Editions)
by Andrew Marvell
ISBN: 0-486-29544-3
Publisher: Dover Publications
Pub. Date: 01 April, 1997
Format: Paperback
Volumes: 1
List Price(USD): $1.00
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Average Customer Rating: 5 (2 reviews)

Customer Reviews

Rating: 5
Summary: Great Selection of Marvell's Poetry - Fascinating Imagery
Comment: I rarely recognized the full significance of Andrew Marvell's imagery on my first reading, and with each subsequent reading I made new discoveries. Likewise, Marvell's themes are often complex and require thought and contemplation. This is poetry to be read again and again. Nonetheless, Marvell's language is characterized by clarity and even the first reading is quite enjoyable.

Although Andrew Marvell is recognized today as one of the great poets of the English language, many readers are familiar with only a few of his works, notably To His Coy Mistress (found in most anthologies) and a few of his pastoral poems like Damon the Mower and The Mower's Song. This little Dover edition offers an inexpensive way to become more acquainted with a good selection of Marvell's versatile poetry.

Andrew Marvell was active in English politics during the turbulent period of Charles I, Oliver Cromwell, and Charles II. His love poems and lyrics were private writings not published until three years after his death. Through the years a few poets like Coleridge and Wordsworth recognized Marvell's genius, but he largely remained unknown.

Fortunately, a scholar, Sir Herbert Grierson, and a noted poet, T. S. Elliot, jointly brought attention in the 1920s to the remarkable work of the "metaphysical poets of the seventeenth century", especially Andrew Marvell.

In this Dover edition the spelling and punctuation has been modernized somewhat for clarity. The footnotes are sparse and I found it helpful to occasionally visit the dictionary. The collection includes a wide selection of Marvell's love poems, lyric poetry, religious poetry, and two political poems - An Horatian Ode upon Cromwell's Return from Ireland and the rather long poem Upon Appleton House.

It is not easy to select only a few favories as this collection is quite exceptional. Certainly my list would include: To His Coy Mistress - The Mower to the Glowworms - The Mower Against the Gardens - Damon the Mower - The Mower's Song - On a Drop of Dew - Eyes and Tears - Bermudas - and A Dialogue Between the Soul and the Body.

The other poems in this collection include: The Definition of Love - The Unfortunate Lover - The Gallery - The Fair Singer - Mourning - Ametas and Thestylis Making Hay Ropes - The Nymph Complaining for the Death of Her Fawn - Daphnis and Chloe - The Match - Young Love - The Picture of Little T. C. in a Prospect of Flowers - The Garden - A Dialogue Between the Resolved Soul and Created Pleasure - and The Coronet.

Rating: 5
Summary: Toss it on top of your shopping cart!
Comment: Opinions vary greatly as to whether T.S. Eliot was a good critic or not, but there is no disputing the service he did for the poetry of Andrew Marvell. Not only in his criticism, but through echoes in his own poetry, Eliot made people more interested in Marvell. Today, we see Marvell as the equal of Milton or Donne, a truly 'major' poet. And here we have a tremendously inexpensive edition of Marvell's poetry from Dover. Since it is so cheap, you might not want to order it by itself. But why not add it to your items and treat yourself to a perfectly acceptable edition of this great poet's work? "To His Coy Mistress" is obviously the most famous poem here, but you'll have world enough and time to enjoy the other poems as well. I am especially impressed by the "cute" pieces concerning Damon the Mower and the object of his affection, Juliana. Think of it as a boy mowing lawns for extra money in the summer, with his eye on the girl across the street-- or something like that. At any rate, these particular poems are the best imitations-- or extensions-- of the classical genre of pastoral verse (such as Theocritus and Vergil) that I know of. They are fresher and more subtle in their expression than Spenser's "Shepherd's Calendar" and more original than the four pastorals by my favorite poet Pope. There are many reasons Marvell, in general, is among the greatest English poets, but I am attracted to him because of his flexible rhythms and very musical yet restrained use of assonance and alliteration. I am also very happy with this Dover edition.

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