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Women in Love

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Title: Women in Love
by D. H. Lawrence
ISBN: 0-451-52591-4
Publisher: Signet
Pub. Date: January, 1995
Format: Mass Market Paperback
Volumes: 1
List Price(USD): $6.95
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Average Customer Rating: 3.48 (33 reviews)

Customer Reviews

Rating: 5
Summary: D.H. Lawrence's Women In Love: Our Mind, Ourself, Our World
Comment: Set in the aftermath of World War I, this deeply philosophical novel brilliantly portrays Lawrence's fascination with the power and activity of the subconscious mind. Lawrence expertly strips away the surface levels of normal awareness and perception to reveal the forces working within the deep inner recesses of the human psyche. His interest in and fascination with the writings of Freud is everywhere made manifest in this story.

In every section of this brilliant book, the reader can grasp the characters' efforts to exert the will against the inviolable forces of nature. The end result, according to Lawrence, is that they sever the organic bond with the natural world and suffer a spiritual death. Through their struggles, we gain a sense of our own futile efforts to control reality, to make it over in our own image. We discover we must complete our being by living in the moment, submerging the self and uniting with others. Above all else, we learn about our true nature and the necessity of living in harmony with the ebb and flow of the larger universe. Buy Lawrence's book, and, more importantly, dwell on its depictions of the mind's power to deliver our destiny.

I highly recommend this masterpiece to all readers wishing to gain insight into human psychology and, ultimately, a truer picture of humanity. Although the book is quite long (nearly 500 pages) and doesn't have a unified plot structure, Lawrence rewards his beautiful bounty to the patient and careful reader.


Rating: 5
Summary: Emotionally Intense
Comment: I think Women in Love must be just about the most emotionally intense book I've ever read. D.H. Lawrence conjures his four main characters in what feels like the heat of a closed-room kiln. The writing is beautiful and amazingly perceptive, but is at times stultifyingly over-analytical.

Yet, despite the book's combined length, density and decided lack of plot, Women in Love is surprisingly readable. What makes this book so good is the honesty with which Lawrence imbues his two title characters, Ursula and Gudrun Brangwen, and their two chosen lovers, Birkin and Gerald. It can be frustrating to read page after page of the mental thrashings of an individual mind's search for truth and authenticity in life and in love, but it can also be a kind of revelation.

These characters think differently about the world around them than I do, and we each think differently about the world than you who are reading this do. And yet we are all basically the same on a certain transcendent level. We are all human and we all long for an authentic connection with the world around us. We are different and we are the same. That's why living in this world isn't always easy, and that's why it's always worthwhile. This book beautifully and even entertainingly captures those basic struggles for human connection and if for that reason alone, it's well worth reading. Highly recommended.

Rating: 3
Summary: Grace and Ambivelance
Comment: Women in Love, as the title would suppose, should be about women in love. Herein lies the complexity of Lawrence: the novel is about men in love, who only through there female counterparts, are able to foster the emotional disposition necessary for what they really strive for, namely, each other.

Meet Birkin, a morose and exasperated cynic, who is tired of Aristocratic English life and wants something more, deeper, spiritual. However, this 'spirituality' he is so fond of is not that of religion, but of 'sensuality', which in this particular novel is the code-word for 'sexuality'. His rather heated and ambivalent relationship with Gerald, his strong, virile, and confident friend, borders on homo-erotic. (In one memorable scene, the two men get naked and 'wrestle' eachother.)

However, Birkin and Gerald are technically straight, and acquire amorous relationships with Ursula and Gundrun, respectively. The women are independent minded artists, who despite their strong personalities, wrestle with the idea of marriage, and the subordination that goes along with it. This implicates a broader theme of the book: Being trapped- whether it be by gender roles, love, desire, one's country, social economic standing, etc. All four characters suffer the peril of their own stagnation, trying to transgress any boundary they can, which in this book, between their bodies.

The novel was infamously banned by England upon publication, and was only printed for subscribing Americans. Some of the most vivid parts of the book are the sex scenes, which are not necessarily 'graphic', but highly suggestive, using words like, 'erect, explode, release, etc.'

Lawrence is remembered as a troubled man (he had an Oedipal relationship with his mom, some suggest). His characters are gritty, obtuse, even crass. Yet he writes about nature with the compassion and earnestness of Thoreau and Woodsworth. Lawrence is not a philosopher of the cerebral, but of the visceral- be it human bodies or nature. For Lawrence, union between all things is only possible where the irrational counters the rational. This novel investigates such polarities.

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