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Title: The Bondwoman's Narrative by Hannah Crafts, Henry Louis Gates Jr. ISBN: 0-446-53008-5 Publisher: Warner Books Pub. Date: April, 2002 Format: Hardcover Volumes: 1 List Price(USD): $24.95 |
Average Customer Rating: 4.94 (32 reviews)
Rating: 5
Summary: Stars are not appropriate for judging this book.
Comment: The Bondwoman's Narrative is an historical artifact, a significant contribution to the literature of the pre-Civil War United States and, most especially, to African-American history and culture. Rating such a relic as if it were a modern publication denies it the accord it deserves as a newly discovered record of the misery endured by humans who were bought and sold in the last years of slavery.
Telling the story of Hannah Crafts, a literate house slave, the author, convincingly identified by editor Gates as a black woman, pens a sentimental melodrama, a genre popular at the time, to describe in detail the life of a slave. Leading a somewhat less miserable life than a field hand, Hannah reveals her never-ending duties, her treatment and mistreatment by wives of the owners, her observations on the sexual abuse of women by owners, and her firsthand knowledge of venal slave traders and unscrupulous lawyers. These accounts are remarkable for their immediacy and human drama.
The novel's narrative flow, as one traumatic episode after another builds to a climax, is clearly planned. Characters from one part of the novel appear and reappear in other parts, and sentimental motifs, common to the genre, repeat--the personification of a linden tree which affects several generations, curses visited on people and carried out over time, coincidences which strain credibility, and the hand of providence helping the pious Hannah.
Although Gates's arguments for black authorship are convincing, he does not address some intriguing European references here. Fresh linens look like "an alpine snowdrift," Mr. Wheeler is noted by Hannah as having "the attitude of a Frenchman," Mrs. Wheeler says she will not accept Hannah's "blarney," Hannah refers to the poetry of Lord Byron, and she describes Mrs. Wheeler in one scene as having "the rage of Orestes." These struck me as unusual metaphors and references, and I'd be intrigued to learn how common they were to the day and how and why Hannah came to employ them.
Rating: 5
Summary: Unique and Unprecedented
Comment: "The Bondwoman's Narrative" is an unprecedented literary event. This manuscript, recently discovered by Professor Henry Louis Gates, Jr. is the only known novel to have been written by an African American slave. It might possibly be the first manuscript to have been written by a black woman...anywhere. Not only is the narrative unprecedented, it is a suspenseful and engrossing account of a young slave who "passes" for white in her attempt to find her way to freedom.
The bondwoman is Hannah Crafts, a mulatto and a slave, who wrote her story as an autobiographical novel. Hannah Crafts was not uneducated, she was self-educated. And, as anyone familiar with world literature will realize, Hannah Crafts, may have been very well educated, indeed. As we read her story, written in an effusive style, we realize that she was well aware of the limitations and injustices society inflicted on persons of color in 19th century America. What she didn't realize is that the freedom and life of the plantation's mistress is soon to be in as much peril as is her own and that their destinies will intertwine. Is Hannah Crafts story an autobiographical rendition or is it a flight of fancy, albeit a very good flight of fancy? I think it is up to each individual reader to judge.
"The Bondwoman's Narrative" really doesn't tell us anything new about the times in which Hannah Crafts lived. It's significance lies not in the facts it presents (although they are interesting), but in its historical value. The fact that this is, quite probably, the first narrative to have been written by a black woman makes "The Bondwoman's Narrative" unique and unprecedented and a true literary event.
Almost as interesting as the story of Hannah, herself, is Professor Gates' introduction in which he details his own search for the real Hannah Crafts and the true facts of her life.
Although the details in this book are details we have read before, perhaps several times before, we have not read them as presented by Hannah Crafts. The experience of slavery was important in shaping the character of America and, because of this importance, Hannah Crafts' voice is a voice that should be heard. I don't think anyone who reads this unique and sometimes very lovely book, will ever regret it.
Rating: 5
Summary: Its amazing...
Comment: I didn't think there was anything I didn't know about slavery in America but I was wrong. As an African American, there was times I had to put the book down because of simmering anger over the harsh institution of slavery. Hannah says on more than one occasion she seen no worth in slaves marrying only to be sold away from each other or to promote slavery by having more children produced from the marriage. Never before had I put the two together in thought, marriage and slavery. I finished the book and consider it good reading and excellent research notes.
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