AnyBook4Less.com | Order from a Major Online Bookstore |
![]() |
Home |  Store List |  FAQ |  Contact Us |   | ||
Ultimate Book Price Comparison Engine Save Your Time And Money |
![]() |
Title: Hamlet (Classics Illustrated) by Steven Grant, William Shakespeare, Tom Mandrake, Gary Fields ISBN: 0-425-12026-0 Publisher: Berkley Pub Group Pub. Date: 01 February, 1990 Format: Paperback Volumes: 1 List Price(USD): $3.75 |
Average Customer Rating: 4.21 (138 reviews)
Rating: 5
Summary: Shakespeare's Finest
Comment: A tragedy by William Shakespeare, written around 1599-1601. Before the play opens, the king of Denmark has been murdered by his brother, Claudius, who has taken the throne and married the queen, Gertrude. The ghost of the dead king visits his son, Prince Hamlet, and urges him to avenge the murder. Hamlet, tormented by this revelation, appears to be mad and cruelly rejects Ophelia whom he loved. Using a troupe of visiting players to act out his father's death, the prince prompts Claudius to expose his own guilt. Hamlet then kills Ophelia's father Polonius in mistake for Claudius, and Claudius tries but fails to have Hamlet killed. Ophelia drowns herself in grief, and her brother Laertes fights a duel with Hamlet.
Hamlet's dilemma is often seen as typical of those whose thoughtful nature prevents quick and decisive action.
Hamlet contains several fine examples of soliloquy, such as " To be or not to be" and Hamlet's earlier speech lamenting his mother's hasty remarriage and Claudius' reign which opens "O! that this too too solid flesh would melt". Much quoted lined "Neither a borrower nor a lender be", "Something is rotten in the stste of Denmark", "Brevity is the soul of wit", "To sleep: perchance to dream: ay, there's the rub;" The lady doth protest too much, methinks," and "Alas, poor Yorick". Arguably Shakespeare's finest play and one that can be read again and again.
Rating: 5
Summary: Ghosts, guilt, and graveyards
Comment: Ah, yes. Hailed by many as Shakespeare's Magnum Opus (is that right?), this is certainly one of his most significant dramatic works. Hamlet is an atmosperic story of internalization - of feelings (guilt, love, hatred), of people, thoughts, and actions. Marked by indecision and a strong sense of self-pity and self-consciousness, Hamlet makes the slow transition from fear to determination in his quest to avenge his father's death. Oedipal complex, supernatural powers, royal incest, revenge - these are all explored in the play. Several famous questions are posed and thoughts explored - of existence, suicide, meaning, value. Hamlet is just packed with philosophy, psychology, and humanity. A must-read in which you will find many of the most famous soliloquies in all of Shakespeare. Thrown in Yorick's skull, poor Ophelia, good Horatio, Rosencrantz and Guildenstern, you've got yourself one awesome play.
Rating: 5
Summary: Chasing Shakespeare, finding Hamlet
Comment: The sheer magnitude and dramatic measure of Shakespeare is never to be missed -- but it can be a challenge tackling the linguistics of sixteenth century English, especially text from the original Folio published by Applause.
For those (like me) who need a leg up, the Durband (Editor) additions of Shakespeare's work are an invaluable help. For the ambitious reader, an additional resource in cracking the code of 16th century grammar comes in the form of Adamson, Hunter, Magnusson, Thomposon, & Wales's "Reading Shakespeare's Dramatic Language, A guide." Finally, an invaluable guild to understanding not only Shakespeare but also any dramatic structure comes from David Ball's "Backwards and Forwards, A Technical Manual for Reading Plays." With all these resources firmly in hand, I chased Shakespeare, and managed, in some sense, to tackle "Hamlet," the first Shakespeare play I had ever read . . .
So what's the play about -- other than ~3-4 hours of live performance? This question actually decomposes (like Polonius: "if you find him not within this month, you shall nose him as you go up the stairs into the lobby", 4.3 (Act 4, Scene 3) into 3 questions: what's does the play "mean," what's its "theme," and what's the play "about?"
I've actually no idea what it means, and I'm not sure I understand what is meant by 'what does it mean?' so I'll let that go . . .
What are it's themes? That's easy: revenge, parental fealty, trust. Most helpful is the last question: what's the play about? I've read that constraints on the answer to this question are: it should be short, 1-2 sentences, and if you were telling it to someone who knows little about the play, it should 'draw the person in: make them want to know more,' so here goes:
Hamlet is a play about a son who pretends to lose his mind while attempting to avenge the perfect murder of his father, and he loses his own life in the process.
This isn't particularly poetic, but it does capture the basic main plot line, and it's underscores the tragic nature of Hamlet. The murder of Hamlet's father is perfect: it's takes a supernatural event to uncover the murder, i.e., the ghost of his father has to come back and tell Hamlet what happened. These are the two main events that drive the plot: the murder is perfect, and Hamlet chooses to take up the task of avenging his father with absolutely not one shred, not one bit, of evidence that Claudius killed King Hamlet.
And this is just how the play reads, how it looks to the audience: If you didn't know the story, the earliest point you might believe that the ghost really was telling the truth is Claudius' line #59, 3.1: "How smart a lash that speech doth give my conscience!" And what exactly is he feeling so guilty about anyway? It is unclear, not explicitly stated (e.g., it could be guilt for marrying Hamlet's mother so quickly, which is what Hamlet is initially bummed out and angry about, and justifying the quick marriage is in part what Claudius' initial speech is all about in 1.2.) And up until 3.2, Hamlet's not even sure about the veracity of the ghost -- so he sets a 'mouse trap' ("the play's the thing wherein I'll catch the conscience of the king"). Up until 3.2 (at the earliest), the audience doesn't really know if Claudius murdered the king, and they only know this with certainty during Claudius's confession of the murder in 3.3.
And if the audience (and Hamlet) are not absolutely sure about Claudius until Act 3, Scene 3, what about the other characters in the play? They never know. All the way through the play, to them, Hamlet looks just like the guy he's pretending to be: someone who's coming unglued. Take out Claudius's confession in 3.3, and I don't think the audience would believe Hamlet or the ghost. To them, Hamlet would be seen as he is seen through the eyes of all the characters (except Horatio): they'd think Hamlet is crazy, and to his mother (3.4), he's ranting and raving about a murder, and yes, there is a murder, but not of King Hamlet -- it's of Polonius, and yes, there is a murderer, but not Claudius -- it's Hamlet! Killing Polonius was a BIG mistake: Claudius sends Hamlet away to England, to be killed. Hamlet, far from being a man incapable of action, is "acting" every moment, struggling with one (huge) obstacle after another . . .
Hamlet's a brilliant play, a masterpiece, though I'm not convinced it's Shakespeare's best, plot-wise -- but certainty character-wise: as Bloom so aptly puts it: it is "The Invention of the Human." Shakespeare dramatizes a man that's *almost* (not totally) paralyzed with fear and uncertainty until most of the way through Act 4 (these are his first obstacles), and one main action he takes up to the end of act 4 is trying to satisfy for himself that Claudius really did kill his father, and avoid detection that that's what he's trying to do -- by acting crazy. A great play, and a full measure of the genius of Shakespeare.
![]() |
Title: Macbeth : Modern English Version Side-By-Side With Full Original Text (Shakespeare Made Easy) by William Shakespeare, Alan Durband ISBN: 0812035712 Publisher: Barron's Educational Series Pub. Date: 01 February, 1985 List Price(USD): $6.95 |
![]() |
Title: King Lear by William Shakespeare, Barbara A. Mowat, Paul Werstine ISBN: 0671722727 Publisher: Washington Square Press Pub. Date: 01 May, 1993 List Price(USD): $3.99 |
![]() |
Title: The TEMPEST by William Shakespeare, Barbara A. Mowat, Paul Werstine ISBN: 0671722905 Publisher: Washington Square Press Pub. Date: 01 May, 1994 List Price(USD): $3.99 |
![]() |
Title: Macbeth by William Shakespeare ISBN: 0694515841 Publisher: HarperAudio Pub. Date: 01 March, 1996 List Price(USD): $25.00 |
![]() |
Title: ROMEO AND JULIET by William Shakespeare ISBN: 0671722859 Publisher: Washington Square Press Pub. Date: 01 August, 1992 List Price(USD): $4.99 |
Thank you for visiting www.AnyBook4Less.com and enjoy your savings!
Copyright� 2001-2021 Send your comments