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Overcoat and Other Tales of Good and Evil

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Title: Overcoat and Other Tales of Good and Evil
by Nikolai Vasilevich Gogol, Nikolai V. Gogal
ISBN: 0-393-00304-3
Publisher: W.W. Norton & Company
Pub. Date: September, 1965
Format: Paperback
Volumes: 1
List Price(USD): $10.95
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Average Customer Rating: 4.4 (5 reviews)

Customer Reviews

Rating: 3
Summary: Six tales don't constitute author's best work
Comment: This volume constitutes six stories by Gogol of which two are the most famous; "The Overcoat", a wonderful psychological story which was made into a film in the USSR many years ago, and "The Nose", a satire of Russian middle level officials of the early 19th century. Taken as a book, though, these tales full of dreams, asides, and great prolixity are not a major literary landmark on the world stage. Russian literature, as one of the world's greatest collections of works, offers a lot more in my opinion. Gogol, while perhaps a brilliant star for some national literatures, can only be considered a minor writer in Russia, especially if read in English as translated by David Magarshack, whose style can hardly be called 'contemporary'. While it's true that Gogol had a good sense of humor, if a little bizarre, it comes across in this translation as childish. (I must hasten to add that I don't know Russian.)

"The Terrible Vengeance" is a rather tedious fairy tale with an incestuous theme, while "The Portrait" bears some likeness to a certain, later work by Oscar Wilde. Though the idea is interesting, Gogol, as in several other stories, just doesn't know when to let go. The story "Ivan Fyodorovich Shponka and His Aunt" contains lively humor and many colorful characters. I enjoyed it the most of all, but it was only the beginning of a larger work, which unfortunately seems never to have been completed.

Some analysts (see the Introduction by the translator)have read into Gogol's work pre-revolutionary predictions of violent change or a rising up of the lower classes. I think such an idea is far-fetched. Similarly, while it is true that Gogol's tales and stories do contain struggles between good and evil, the same can be said of an enormous number of folk tales, religious works, and literary pieces by writers in every language. It is interesting to read Gogol's work to widen your knowledge of Russian and world literature. That is a source of satisfaction, but perhaps not enough. Several of the stories are good, but they don't measure up to his longer works---"Dead Souls" and "The Government Inspector". I would read them first, before this lesser book.

Rating: 5
Summary: I did not read this particular edition
Comment: I was just looking and found that a book of Gogol's stories were #3 on University of Southern California's list. I was proud to see this. I'm one of Gogol's biggest fans and I keep it a secret because his talent is special, serious and fun. The Overcoat, Diary of a Madman, Dead Souls and The Nose...what more can you say. The first time I read Overcoat it was in a book of Greatest Short Novels my father had given me. I still hold on to this collection because of Gogol. To me, the Faulkner and James Joyce works included are mere book ends. Overcoat, along with Conrad's Heart of Darkness, stand alone.

Rating: 5
Summary: Department Head...
Comment: This story, one of Gogol's most famous is skillfully narrated to reflect the author's frustration with civil service and the plight of the poor, and will evoke an emotional response among listeners. Akakii Akakievich is a lowly government clerk. When winter begins he notices that his old overcoat is beyod repairing. He manages to save money for a new, luxurious coat. His colleagues at the office arrange a party for his acquisition. But his happiness proves to be short-lived. On the way home he is attaced by thieves and robbed of his coat. To recover his lost possession, Akakievich asks help from an Important Person, a director of a department with the rank of general. He treats Akakievich harshly and Akakievich dies of fright within three days. One night when the Important Person is rerutning home, he is attacked by a ghost, late Akakii Akakievich, who steals his overcoat. The stealing of outer garments continue, even though now the ghost is a big man with a moustache and enormous fists. A simpler, if perhaps more prosaic, way of restating the general thrust of the storyline would be to say that 'The Overcoat' is like a good poem. It can be endlessly annotated, interpreted, dissected, but still emerges whole and fresh, like a new morning...

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