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George Clinton and P-Funk: An Oral History (For the Record)

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Title: George Clinton and P-Funk: An Oral History (For the Record)
by David Mills, Dave Marsh, Aris Wilson
ISBN: 0380793784
Publisher: Avon Books (Pap Trd)
Pub. Date: June, 1998
Format: Paperback
Volumes: 1
List Price(USD): $12.00
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Average Customer Rating: 3.67

Customer Reviews

Rating: 5
Summary: want my funk unkut
Comment: loved this book loys of info aboput the band, but my fault was i wanted more details about about the group, and what made them inspire to write the p-funk hits, how george really felt about his material being sampled. what are plans for the mob. george was interesting, bootsy was,nt given enough space. but not a bad place for those who want to learn about p-funk. but will leave funkateers craving more knowledge.this book really needs to be updated. it seems some stuff was left out.

Rating: 3
Summary: A real trip
Comment: I thought the book gave a brief but to the point over view of how the funk mob got started. It was ok but it left out the names of some of the players of the funk ie.. Sheila Horn,Jessica Cleaves Steve Washington,Mickey Atkins to name a few. The funk is long deep and wide.

Rating: 3
Summary: Solid, but not necessary.
Comment: Being that I am a hardcore Parliament-Funkadelic fan, I found this book to be a bit of a dissapointment. It was hard to keep up with what year the editor was going into. The book reads very fast and seems crammed. Each chapter covered at least 5 years at a time. However, being that there has never been a book written about George Clinton and P-Funk, this book is definitely entertaining, informing and revealing. It was good to read what other members takes are on P-Funk. Interesting insights were the introduction of George to Bootsy, quarrels within the band, the competition between the Brides of Funkenstein and Parlet, and how the band broke up. I personally would have liked to know more about the relationships between the musicians, especially clinton/collins/worrell, and Lynn Mabry, an original bride, seems to be absent from the book. I also would have liked to know how George and the other members of the band to talk about how they wrote and formed some of their biggest hits. I especially would have liked them to comment on the concepts of hits like "P-Funk (Wants to get funked up)" "Dr. Funkenstein" and "Sir Nose D'Voiddoffunk". All-n-all, this book should be read by all HARDCORE P-Funk fans until something better comes along.

Peace El-715

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