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The Magic Barrel: Stories

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Title: The Magic Barrel: Stories
by Bernard Malamud
ISBN: 0-374-52586-2
Publisher: Farrar Straus & Giroux
Pub. Date: 07 July, 2003
Format: Paperback
Volumes: 1
List Price(USD): $13.00
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Average Customer Rating: 4.25 (4 reviews)

Customer Reviews

Rating: 2
Summary: Impressive character development but mostly morbid.
Comment: "The Magic Barrel" was a collection of stories that intrigued me, if only for the whimsical sounding name. I was disappointed, however, to find that the stories themselves were themselves not whimsical in the least. Malamud has created a world where paranoia is abundant, and worse, where poor, lackadaisical decisions are abound equally. There are no winners in any of Malamuds stories. I found myself becoming angry at the characters, for the way in which they responded to conflicts was alarmingly pathetic. His character development is strong, however, and I did enjoy maybe one or two of the stories until I found the ending rather dreary. If a literary work is "sad," that is not a deterrant for me. Malamud's characters, on the other hand, are hopeless. I can't seem to enjoy reading about people who operate in such ways.

Rating: 5
Summary: Notes on a (Narrow) Slice of Life
Comment: So who could say that Bernard Malamud didn't write well ? Not me. He writes very well indeed. These 13 stories, mainly about first-generation Jewish immigrants in America, but also about visitors to Italy from America, capture so much of life in a society where one is an outsider---that feeling of "being here but not here", or of living in a country, but not belonging. The wasted ex-coffee salesman, the harassed landlord, the loner rabbinical student, they all seem to pulsate with failure, with uncertainty, and fatal mistakes. Ah, this is a book about life all right, but it's a book in which the vision is almost tunnel vision. Every single story, without exception, deals with people who cannot rise to their own imaginations of themselves. They meet frustration, failure, death or disappointment, they are deflected from any purpose they might have once had. They are melancholy shades of fruitless endeavor. Does even one reach his ambition ? (They are all male.) No, the student doesn't find a house in Rome, the would-be art critic abandons his research, the would-be lover lies about his Jewish origins and loses the beautiful girl, the buyer on credit never pays back, the so-called reader never reads, the shoemaker allows his daughter to marry an unsuitable man. Only once, after humiliating an angel to tears, does an old man admit his mistake and save his wife from death, and this occurs in the only fantasy among the thirteen. Most of the characters lose, their labors come to naught, they grow wiser, but sadder. I would assume that Malamud himself felt an outsider everywhere, comfortable nowhere. If that is not true, his dreams must have been filled with worry, because this is a most melancholy collection. Does anyone smile ? Does anyone laugh ? Does anyone dash down the street radiant with love ? No. Life is full of personal shortcomings, a bald spot, a stubborn rejection of family, an inability to swim or make money. Frustration and lies run rampant--people certainly do shoot themselves in the foot again and again. Life is a tragedy, life always ends in disappointment-these are truths told in half the literature of the world, but there is more to our humble existence than that. Even when Malamud writes a humorous story, it is filled with underlying doubt in human nature, concentrating on the tendency of people to try to be what they are not. If you want thirteen superb stories to illustrate that sad point of view, here they are. If you think life is more of a mixed bag, then perhaps this book will only depress you.

Rating: 5
Summary: Wonderful Stories Covering a Surprising Range of Emotions
Comment: This set of stories surprises one with breadth of understanding which it exhibits. From the first story ("The First Seven Years") which deals with a father's desire to provide the best for his daughter through the last story ("The Magic Barrel")which provides an interesting contrast to the first, all of these stories expand on the single theme of human experience.

The frustration built upon in "The Key" and "The Last Mohican" if offset nicely by the humor in "A Summer's Reading" and "The Lady of the Lake". "Take Pity" and "The Mourners" offer great insigth into growing old and dealing with lonliness. While "Angel Levine" is probably the most off beat of the set it still manages to increase hope, whereas "The Prison" causes an equal loss of faith in the human race.

The 12 stories here provide a wonderful evening's reading, however if your looking for more they are included in the books of his complete stories.

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