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Sculpting in Time : Reflections on the Cinema

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Title: Sculpting in Time : Reflections on the Cinema
by Andrey Tarkovsky, Kitty Hunter-Blair
ISBN: 0292776241
Publisher: Univ of Texas Press
Pub. Date: 1989
Format: Paperback
Volumes: 1
List Price(USD): $26.95
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Average Customer Rating: 4.8

Customer Reviews

Rating: 5
Summary: Utterly fascinating and inspiring
Comment: I suspect that perhaps even someone unacquainted with Tarkovsky would find this book interesting - provided that someone is curious about the relationship of art, human experience, and transcendence. One of the most inspired and inspiring works about cinema I've encountered, it releases the floodgates of cinema's potential energy and power. Next to the films themselves, this is the most important work to own for students or admirers of Tarkovsky. Probably as close as a book can come to representing a sacred text on the art of film.

Rating: 5
Summary: It is the most comprehensive book about Tarkovsky's cinema.
Comment: SCULPTING IN TIME, gives the reader an intimate invitation into the mind of filmmaker, Andrei Tarkovsky. In this single, slim volume, Tarkovsky gives penetrating insight into his conceptualization of cinema as an art form. Although he does not refer to all of his films, one finds detailed information concerning his approach to cinematic form and why his films are so different and affecting. Tarkovksy, speculates on the role of the artist in today's world. He points the direction that others who may want to enter into the cinematic arts should go. Most importantly, one gets an engrossing look at the aspects of the cinema that define it as an artform outside of literature, painting, and the theatre. It is a profound book and one that you will find yourself re-reading again and again. It is to be cherished.

Rating: 5
Summary: Tarkovsky lives on
Comment: If you're looking for a key to understanding Tarkovsky's works, this may not be what you are looking for. The details and decisions that went into creating his sparse ouvre of films are treated only in the context of laying out his own artistic theories. At the same time Tarkovsky's broad artistic treatise gives great insight into the motivations, passions, and influences behind his anachronistic masterpieces. In fact, Tarkovksy presents a theory of film and art so archaic that the lines between religion and creation become irrelevant. More comfortable in the company of the religious mysticism of Dosteovsky and Rublyev, Tarkovsky proposes ideas blasphemous to the current commercialy driven, psuedo-naturalist film zietgeist. A must read for any artist serious about creating works of profundity and universiality, Sculpting in Time is plea from the grave for more film that is alive.

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