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The Principle of Hope, Vol. 1 (Studies in Contemporary German Social Thought)

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Title: The Principle of Hope, Vol. 1 (Studies in Contemporary German Social Thought)
by Ernst Bloch, Neville Plaice, Stephen Plaice, Paul Knight
ISBN: 0-262-52199-7
Publisher: MIT Press
Pub. Date: 26 May, 1995
Format: Paperback
Volumes: 1
List Price(USD): $37.95
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Average Customer Rating: 5 (1 review)

Customer Reviews

Rating: 5
Summary: Passionate thinker for hope and solidarity with the spirit
Comment: It's incredible no one takened the time to review this magnum opus of one of the most important committed thinkers of our time. Bloch's life itself well traversed almost a century,seeing himself and participating in the early innovative artistic movements,Expressionism, the plays of Brecht,Schoenberg's 12 Tone Dodecaphonic means. He also carried diatribes with the likes of Gyorgy Lukacs, as well as writers he admired Anna Siegel. Utopia is a realm that never seems to go away. For Bloch it was a way of gaining distance with the world,in fashioning a path toward it yourself. He said someplace that we all inhabit our own durational frames, and that we develop, or come to see our horizons not simultaneously as we have been taught to believe. This massive three-volume work is a mere encyclopedia tracing where mankind has found its horizon,sometimes placing it theri aritficially, as in art. Goethe Faust has a prominent place here as well as early secular religions of the world, how each shares this vision of Utopia Bloch so impassioned voice seeks. Marx is here as well, and it was Bloch who for want of a better term, introduced the warmer side of the human spirit to into Marxist discourse. Bloch, as Adorno,Horkheimer,even Lukacs, were not really political animals,nor consummate players, so they each saw the Soviet Union as some hope, less Adorno,who was skeptical of everything. The early religious leader Thomas Munzer, Luther's arch enenmy during the burgeoning Reformation and the Peasant Wars is also a point of reference for Bloch. And music makes an entrance, however Bloch really never got to know modernist repertoire, his thoughts are abssorbed with the classics, Mozart,Beethovem Bruckner and Wagner all have places in his Utopian edifice.

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