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Title: Perception and Imaging, Second Edition ISBN: 0-240-80466-X Publisher: Focal Press Pub. Date: December, 2001 Format: Paperback Volumes: 1 List Price(USD): $39.99 |
Average Customer Rating: 4.53 (17 reviews)
Rating: 5
Summary: Enlightening, inspiring and fascinating
Comment: This book gives a practical presentation of Gestalt psychology for photography and imaging. No background is assumed, no complex theory or jargon is introduced, everything is very educational and remains completely oriented toward practical imaging. The style is very enjoyable, the book is full of excellent illustrations and all the chapters end with exercises which are not only useful in a classroom context, but are also very inspiring for artists and photographers. This book is an excellent invitation to have a different point of view on imaging.
It covers the figure/ground differenciation, the white/dark balance, perceptual grouping, associations, the importance of contours and in particular apparent contours, illusions, various morphisms (anthropo, zoo, ana, etc.), some subliminal aspects, personality, critique, etc.
The bias towards a Gestalt explanation of all phenomena may sometimes be a bit too much, you just have to be aware of it and keep a critic mind.
This book follows the landmark work of Pr. Arnheim on the subject (Art and Visual Perception), but with a more practical purpose and in a style which is easier to read.
Rating: 5
Summary: Nothing Else Like It
Comment: This is the second edition of Perception and Imaging, but is also the latest in a string of precursors that included the small-press "Perception and Photography" from the late 1970s.
This current edition adds almost 100 pages to the last. It explains why and how we see what we see. More, it provides the basis for the visual artist to take advantage and use that knowledge to make better images.
The printing is much better than the previous edition (thankfully) and the higher quality paper does away with the separate illustration section that the first edition required. The quotes from imagemakers in the margins (taken from two out of print Zakia works that should be back in print) are a valuable addition to the main text that helps provide a context for the material.
If you want to understand the psychology of visual images and visual messages, this is a unique book.
Rating: 1
Summary: An Academic Treatise
Comment: I'll keep this review short and sweet. This book is an in-depth academic discussion of how humans see and perceive things. Although there were some interesting tid-bits throughout the book, I wanted to learn how to improve the composition of my photographs, and didn't find anything of use. This book is probably well-suited to a graduate-level psychology course, but for me it has little applicability to photography.
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Title: Art and Visual Perception: A Psychology of the Creative Eye by Rudolf Arnheim ISBN: 0520026136 Publisher: University of California Press Pub. Date: 01 November, 1974 List Price(USD): $24.95 |
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Title: Designing a Photograph: Visual Techniques for Making Your Photographs Work by Bill Smith ISBN: 0817437789 Publisher: Amphoto Books Pub. Date: 01 January, 2001 List Price(USD): $24.95 |
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Title: Understanding Exposure by Bryan Peterson ISBN: 0817437126 Publisher: Amphoto Books Pub. Date: 01 November, 1990 List Price(USD): $22.50 |
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Title: Learning to See Creatively: Design, Color & Composition in Photography by Bryan Peterson ISBN: 0817441816 Publisher: Amphoto Books Pub. Date: 01 October, 2003 List Price(USD): $24.95 |
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Title: Photographic Composition by Tom Grill, Mark Scanlon ISBN: 0817454276 Publisher: Watson-Guptill Publications Pub. Date: 01 June, 1990 List Price(USD): $19.95 |
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