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Title: Design Principles and Problems by Paul Zelanski ISBN: 0-15-501615-6 Publisher: Wadsworth Publishing Pub. Date: 15 October, 1995 Format: Paperback Volumes: 1 List Price(USD): $78.95 |
Average Customer Rating: 4.33 (3 reviews)
Rating: 4
Summary: Design Principles and Problems
Comment: This book is beneficial in learning the vocabulary and basics of Graphic Design. I did find that it was necessary to go outside the book to fully understand Principles of Unity. The book is an excellent resource for the beginning Graphics Major.
Rating: 5
Summary: Essential Manual for the Aspiring or Proffesional Artist
Comment: I am an artist. It is more than a career choice, it is a lifestyle. If you want your art to be more effective, for personal or public reasons, studying design principles is paramount! I can't stress enough the importance of studying the elements and functions of design elements. This text, Design Principles & Problems, will put you on the right course for studying this subject. Currently we are using this text in my Design Foundations class. It is a rich maunual with many comparitive illustrations to referance during the course of your study. This isn't a book that you use, then discard, it is a keeper!
Rating: 4
Summary: This book has many strengths, but some important weaknesses
Comment: I have used Design Principles and problems for several years to teach Basic Two-Dimensional Design to both art majors and non-art majors. It is clearly written and well structured, with emphasis on the design principles and elements. I particularly like the chapters on the Unifying Principles, Shape and Form, and Color.
There are many excellent projects and student examples, plus an explanation of what each project is trying to achieve.
I do find, however, that I have to suppliment the text with a few chapters from other books and my own notes. Particularly, I am referring to the lack of any depth on the importance of the grid as one important formal way to create structure. Another area I find lacking is a chapter on structure itself with the many sources in nature as examples. The importance of the use of the Golden Mean is also not covered, even while it is still used by many contemporary artists and was used by many artists in 19th century as an understructure in creating a painting. For instance, the analysis on Seurat's "Circus Sideshow" talks about the repetition of the brush strokes, textures, colors, and gaslights as a means to unify the picture but neglects the fact that the entire picture is divided up into squares and rectangles with a loose grid formed by the continuation of the edges of figures and rectangles. It is at once an asymmetrical picture with strong use of approximate symmetry on both sides of the central musician. The Golden Mean is at work in the creation of the proportions in this picture yet is never mentioned.
Because of these shortcomings I continue to look for alternatives and go back to using classics like Lauer's Design Basics from time to time, supplimented with examples from Wucius Wong's books and those of my own students.
All in all, though, Design Principles and Problems has many strengths and it most definitely belongs in your library if you teach Basic Design.
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Title: Design Basics by David Lauer ISBN: 0155083775 Publisher: Wadsworth Publishing Pub. Date: 29 July, 1999 List Price(USD): $68.95 |
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Title: Shaping Space by Paul Zelanski ISBN: 0030765463 Publisher: Wadsworth Publishing Pub. Date: 01 January, 1995 List Price(USD): $75.95 |
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Title: Color (4th Edition) by Paul J. Zelanski, Mary Pat Fisher ISBN: 0130984868 Publisher: Pearson Education Pub. Date: 30 August, 2002 List Price(USD): $65.00 |
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Title: Principles of Form and Design by Wucius Wong ISBN: 0471285528 Publisher: Wiley Pub. Date: 01 September, 1993 List Price(USD): $40.00 |
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Title: Art Fundamentals with Core Concepts CD-ROM by Otto Ocvirk, Robert E. Stinson, Philip R Wigg, Robert O Bone, David L Cayton ISBN: 0072483512 Publisher: McGraw-Hill Humanities/Social Sciences/Languages Pub. Date: 08 August, 2001 List Price(USD): $66.75 |
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