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Antony and Cleopatra

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Title: Antony and Cleopatra
by William Shakespeare, A. R. Braunmuller
ISBN: 0-14-071452-9
Publisher: Penguin Books
Pub. Date: 01 September, 1999
Format: Paperback
Volumes: 1
List Price(USD): $4.95
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Average Customer Rating: 3.76 (21 reviews)

Customer Reviews

Rating: 5
Summary: The intoxicating paradox of love and power
Comment: Neither the absolute and utter despondency of sheer and impending defeat nor the the deposition of his honor and place in Roman society can deter the once-revered Marc Antony from his insatiable, yet ill-fated longing to be with the sultry and divine demigodess that is Cleopatra.

Having just read the incomparable Julius Caesar and longing for more of the same after Antony & Octavius Caesar's sound defeat of the "noble" Brutus and Cassius at Philippi, I ordered Antony & Cleopatra. Although in some respects it is similar to its predecessor, Antony & Cleopatra, having been written by Shakespeare much later in life after the tragic death of his lone son Hamnet and a turbulent relationship with his wife, brings forth a much more cynical and wily Bard than the young and idealistic one who wrote Caesar. This disillusionment can be witnessed not only in the tragic deaths of Antony and Cleopatra, but moreso subvertly in the incongruity and disingenuousness of their supposed driving impetus - their love for one another. Both Antony & Cleopatra continuously and almost purposefully betray each other throughout the play - undermining their ability to lead and therefore leading to their tragic and untimely demise.

I recommend this to those who adored Julius Caesar as well as those Shakespeare aficionados who simply cannot get enough of The Bard. Antony & Cleopatra proves a lucid, enjoyable, and easy read, although somewhat longer, but with less substance than Julius Caesar. Enjoyable nonetheless.

"Make not your thoughts your prisons." - Octavius Caesar

Rating: 5
Summary: When love and fate mean death or power
Comment: Shakespeare in this play shows how love is not human but surrealistic. Love does not answer reasonable questions. It is a fundamentally unreasonable attitude that brings the lovers to absurd behaviours negating all logical, political and historical values. Love has no limits even if history will prove stronger and the lovers will be destroyed. Shakespeare beefs up this theme with a language that is so rich that we are fascinated by the words, the symbols, the symbolic value of words and acts. He is particularly rich in his style that is entirely, words, poetry, actions, and even feelings, organized following some simple symbols, particularly numerical symbols. In this play Cleopatra appears as being the core of the symbolism and she carries with her the number eleven that comes from the old English runes with the meaning of fate, of fatal defeat, of a flaw that cannot be corrected or escaped. It is her destiny to bring Antony to his defeat and death, just as it is Antony's fate to be governed by this woman and led to his own destruction because of his love for her. It also shows how the Emperor is able to use this fatal situation in order to capture all powers and to impose his absolute will on the Roman Empire. He seems to be the one who plays not well but with all the assets of the game up his sleeves, and he takes them out one at a time when the situation is ripe for these assts to become the key to is ascension to absolute power by defeating those who may oppose him.

Dr Jacques COULARDEAU

Rating: 3
Summary: Not without interest.
Comment: Not one of Shakespeare's more memorable works, there are some pluses to this play and relatively few minuses, but neither the pluses nor the minuses are anything that stands out. It is nice to have yet another play told in Shakespeare's beautiful language, and enjoyable to see a love story that centers on people old enough to no longer be in the first blush of youth, even if they ARE still young enough to be beautiful and virile. On the other hand, I'd have liked to see these more mature lovers BEHAVING somewhat more maturely, instead of being just as frivolous, headstrong, and foolish as the kids in "Romeo And Juliet", and there really aren't any lines from this play that come immediately to mind as having entered the "Quotes Hall Of Fame", as so many lines from Shakespeare's plays have. Nothing on the order of "A horse! My Kingdom for a horse!" or "Alas, poor Yorick; I knew him well." or "To be or not to be, that is the question", or so many others.

If you enjoy Shakespearean plays, you'll probably enjoy this one. But there's no real reason for anyone but a completist to read this.

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