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Title: Give My Regards to Eighth Street: Collected Writings of Morton Feldman by Morton Feldman, B. H. Friedman, Frank O'Hara ISBN: 1-878972-31-6 Publisher: Exact Change Pub. Date: 26 January, 2001 Format: Paperback Volumes: 1 List Price(USD): $15.95 |
Average Customer Rating: 4.5 (2 reviews)
Rating: 4
Summary: Essential reading for Feldman fans
Comment: This book, collecting all of Morton Feldman's published writings--along with four miscellaneous pieces--is an expanded version of a book originally published in a bilingual German/English edition in 1985, edited by Walter Zimmermann. To the original book, the editor, B. H. Friedman has added his own introduction, a postface by the poet Frank O'Hara, a late friend of Feldman's, and various other writings not collected in the original book.
There is much to enjoy here, from Feldman's reminiscences of his New York School colleagues, his admiration for Varese, his not uncritical appreciation of Webern and Stockhausen and his dislike for Boulez and Schoenberg. Equally, there is much interesting material on the visual arts as well: Feldman's passions for Mondrian, Pollock, Guston and Rothko are intimately related to his music and this book illuminates this strongly. Feldman's understanding of the need for a specifically US artistic and musical tradition--and how this tradition came about--is particularly illuminating, as is his writing about his colleague and friend John Cage.
Feldman's writing style is clear and conversational--if it occasionally lacks in depth this is a minor sin in comparison to the wilfully obfuscatory writings of the young Boulez, for example. Because of its own nature as a collection of unrelated pieces, this book tends to contain a little too much repetition and some very slight pieces (often notes from recordings or performances). I would have liked a little more writing on Feldman's own music--the rare occasions where he explains his techniques are highly interesting--but even with these flaws anyone interested in Feldman's music or the New York School in general will find this book very interesting.
Rating: 5
Summary: a primary document of the American avant-garde
Comment: " The day Jackson Pollock died I called a certain man I knew- a very great painter-and told him the news. After a long pause he said, in a voice so low it was barely a whisper,' That son of a b---he did it'. . . . With this supreme gesture Pollock had wrapped up an era and walked away from it." Feldman was very much part of that era, the Fifties when American art was becoming the most important post-war art there was its unique expressions. Sure Europeans tried to copy us but only became more academic about as Boulez and his excursions into chance/aleatoric gesturing. This collection of essays very clearly reveals how important American expeimentalism was to music. Feldman's forever endeavor to merely create, create at a high intensity working like a Dutch diamond cutter,or lens grinder,toying with creative means as his use of indelible ink, this he said makes you think about what your writing than how you are writing, puts the creative process back into the head.Or composing at the piano, which slows you down so you need to think more. He followed the intellectual currents, anything that brought a sense of richness and other dimension to his art, he knew for instance Henri Bergson's concept of memory and time,how that might affect his music,and painterly means was second nature to him hanging out at the Cedar Bar in New York talking for hours on Light,texture,perception,shape,design,concept, facility,gesture,timbre,tone,chiarscuro, there is ample historical data here as well, almost like a subtext of these ,like an unwritten history of the avant-garde, a "Conversation with Stravinsky"(not really),his first meeting with John Cage(after a performance of Webern), Earle Brown, Christian Wolff, also his travels to Berlin, and England and experiencing the avant-garde through Cornelius Cardew, and British experimentalism.His last years was devoted to long durational compositions, and he merely said he had more time to compose in these years,but Feldman here is filled with marvelous quotes,things,items,shapes for the mind"I knew I was going to be a professional the day I first became practical.Practicality took the form of copying out my music neatly,keeping my desk tidy and organized-all the unimportant things that seem unrelated to the work,yet somehow do affect it.". He also knows how to look from greater heights from mountains, tothe substance of modernity, those who stopped creating and became more interested in themselves as Stockhausen were "Modernists"; for Feldman allowing your materials,the shape,structures of your music tell you the secrets of creativity was most important and became a cause.
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Title: Silence: Lectures and Writings by John Cage ISBN: 0819560286 Publisher: Wesleyan Univ Pr Pub. Date: 15 June, 1961 List Price(USD): $22.95 |
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Title: The New York Schools of Music and the Visual Arts (Studies in Contemporary Music and Culture) by Steven Johnson, John Cage, Morton Feldman ISBN: 0415936942 Publisher: Taylor & Francis Pub. Date: December, 2001 List Price(USD): $27.95 |
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Title:Morton Feldman: String Quartet No. 2 ASIN: B00006SF9I Publisher: Mode Pub. Date: 26 November, 2002 List Price(USD): $64.98 Comparison N/A, buy it from Amazon for $64.98 |
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Title:Morton Feldman: Rothko Chapel; Why Patterns? ASIN: B000000R2Z Publisher: New Albion Records Pub. Date: 24 September, 1992 List Price(USD): $17.98 Comparison N/A, buy it from Amazon for $17.98 |
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Title:Morton Feldman: for Philip Guston (1984) ASIN: B000003GK0 Publisher: Bridge Pub. Date: 18 November, 1997 List Price(USD): $50.99 Comparison N/A, buy it from Amazon for $50.99 |
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