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The Earth Is a Satellite of the Moon

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Title: The Earth Is a Satellite of the Moon
by Leonel Rugama, Richard Schaaf, Nancy Weisberg
ISBN: 0-915306-54-9
Publisher: Curbstone Press
Pub. Date: 01 November, 1985
Format: Hardcover
Volumes: 1
List Price(USD): $19.95
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Average Customer Rating: 5 (1 review)

Customer Reviews

Rating: 5
Summary: The Poet as Revolutionary - the Poetry of Leonel Rugama
Comment: Leonel Rugama is a legendary poet among the prolific lineage of Nicaraguan poets (there are probably more published poets per capita in Nicaragua than any other country in the world)., this bi-lingual book is comprised of his complete writings, 139 pages of mostly poetry, as well as memories of Rugama by his mother and his comrade-in-arms Omar Cabezas. The life and writings of Leonel Rugama do indeed conjure such words as "legendary", "mythical", and "mystery". He was killed on January 15, 1970 at the age of not quite 21 while fighting Somoza's national guard with three comrades. He had written his own epitaph, a poem entitled "Epitaph", (two poems entitled "Epitaph", in fact; one is dated 1969, the other is dated november/december 1969). The poet is also the subject of poetry; he his portrayed in Ernesto Cardenal's "Oraculo sobre Managua". This book is the work of one of the important poets of the Sandinista generation in Nicaragua (a country that, as I said, produces generation after generation of poets). The poems are peopled by the poorest of the poor in Nicaragua. "Como los santos" ("Like the saints") is a direct and intimate dialogue with the Nicaraguan poor, in a Spanish very much, I assume, of the 'hoods of Managua and Leon (I can't find half the words in this poem in any of my 3 Spanish/English dictionaries). Is Rugama's poetry not only "about" but also "of" the barrios, the 'hoods, of the Nicaragua of the '60s and '70s? Well, in the book there is a photograph of 3 proletarian Nicaraguan laundry women standing in front of a Rugama poem spray-painted on a wall. Most, but not all of the poems are political, very much in the tone of revolutionary-as-religious-vocation (Rugama was also a seminarian who worked with the poor before he joined the Sandinista Front). But the poems certainly don't come off as political sloganeering, as is often complained of political poetry. This is very powerful, intense, original poetry. It does in fact live up to what you would expect of a poet who would prophetically die within months of most of these writings. Recommended.

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