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Mrs. Bridge

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Title: Mrs. Bridge
by Evan S. Connell
ISBN: 0-86547-056-1
Publisher: North Point Press
Pub. Date: September, 1990
Format: Paperback
Volumes: 1
List Price(USD): $9.95
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Average Customer Rating: 4.92 (13 reviews)

Customer Reviews

Rating: 5
Summary: compelling portrait of Americana
Comment: Denounced in 1959 for not being a 'real' novel, Mrs. Bridge is judged differently these days--and rightly so. The novel is a compelling portrait of American suburban bourgeois life; reading it causes precisely the same claustrophobia Mrs. Bridge sometimes realizes she's suffering from. In a way, this is Sartre's La Nausee moved to Kansas City, but an easier read--almost deceptively so. Closing the book though doesn't really relieve the angst the reader shares with poor Mrs. Bridge in the final section (no I won't give it away)--this book is too real. Don't look for plot, don't look for cheap thrills, but do look for detail, look for the Real peeking into Mrs. Bridge's seemingly perfect life in the Imaginary.

I'll be brief: others have said plenty. Just one quick remark: Connell is a stylist of the highest order. His prose is crisp; style matches subject matter. Example: "It was necessary to be careful among people you did not know." Every sentence is carefully crafted to the point where grammar itself becomes a web of cleanliness, clear and transparent. It may seem nothing special, but Connell is a craftsman. All the more striking, both in grammar and in plot, are the few moments, aporia, where something else could have happened--such as when Mr. Bridge is breathlessly studying, in Paris, "a black lace brassiere with the tips cut off," a moment Mrs. Bridge returns to later with vague uneasiness.

I am glad I was recently introduced to Connell's work. It is a treasure trove, and it's a pity so few of his works are still in print. Now, if you'll excuse me, I have some more of his novels to read: Deus Lo Volt! is next.

Rating: 5
Summary: Brilliantly Wrought Fiction of Upper Middle Class Ennui
Comment: Evan S. Connell's "Mrs. Bridge" is one of the truly outstanding works of Twentieth century American literature, a restrained, yet brilliantly wrought fictional portrait of upper middle class married life in the decades surrounding World War II. Connell tells the story of India Bridge in 117 short chapters, each a spare vignette of her enervated life in the perfectly manicured "country-club district" of an affluent Kansas City suburb. Linear in its narrative and meticulously realistic in its style, "Mrs. Bridge" follows India's life from marriage, to the birth of three children, to the rejection by those children of the repressed life of their parents as they grow into adults, to lonely suburban widowhood. While it is, at its heart, a grim tale of one woman's life of repression and, ultimately, loneliness and resignation, Connell's flawless and restrained narrative ultimately leaves the reader feeling exhilarated at the sheer literary achievement of "Mrs. Bridge".

Ostensibly the story of a marriage, Mr. Bridge is noticeably absent from much of the narrative. A successful lawyer, he is a man who is unable to express love or affection for his wife or his children, a man who is focussed on becoming "rich and successful," the epitome of the status-conscious husband and father whose identity lies in material possessions. "The family saw very little of him. It was not unusual for an entire week to pass without any of the children seeing him. On Sunday morning they would come downstairs and he . . . greeted them pleasantly and they responded deferentially, and a little wistfully because they missed him. Sensing this, he would redouble his efforts at the office in order to give them everything they wanted."

Mrs. Bridge, too, is powerfully repressed, unable to articulate her feelings of dissatisfaction, a woman who is beholden to the expectations of respectability and obsessed with appearances. "She brought up her children very much as she herself had been brought up, and she hoped that when they were spoken of it would be in connection with their nice manners, their pleasant dispositions, and their cleanliness, for these were qualities she valued above all others." Thus, she ultimately drives all three of her children from her life, her unthinking obeisance to social convention destroying any thread of relationship that she might have had with them. Her oldest daughter, "curiously dark", flees to New York City, where she pursues her more unconventional dreams. Her second daughter, an accomplished golfer, enters an ill-fated marriage with a college dropout who cannot provide the country club life that she has been weaned to expect. Her son joins the army, asserting an act of individuality that Mrs. Bridge never seems able to accept or reconcile.

It is, most notably, however, in her relationships with her peers-with the other affluent housewives of the "country-club district"-that the grim and vapid nature of Mrs. Bridge's life becomes most apparent. In particular, her friend Grace Barron becomes a kind of outward manifestation of India Bridge's discontent, someone who lives a life of equal desperation, but not so quietly as Mrs. Bridge. Grace Barron "was a puzzle and was disturbing" to Mrs. Bridge. Why? Because she actually questioned the life she led, moving outside the banal, the conventional, if only in her discourse. As Grace once said to Mrs. Bridge: "India, I've never been anywhere or done anything or seen anything. I don't know how other people live, or think, even how they believe. Are we right? Do we believe the right things?"

Unlike Mrs. Bridge, who talked of "antique silver, Royal Doulton, Wedgwood, the price of margarine as compared to butter, or what the hemline was expected to do," Grace Barron talked of "art, politics, astronomy, literature." Ultimately, Grace cannot cope with the ennui, the claustrophobia of her life, and she does what Mrs. Bridge ultimately lacks the fortitude to do; in a sense, Grace is a sort of "double" who acts out the dark alternative to Mrs. Bridge's repression. And when Grace does act, all that comes to Mrs. Bridge's mind is something Grace once said to her: "Have you ever felt like those people in the Grimm fairy tale-the ones who were all hollowed out in the back?"

Rating: 5
Summary: The Kansas City Matron
Comment: Set in Kansas City of the 30's and 40's the author uses his mother as the basis of India Bridge. She lives in an upper-middle class home in middle America and views her times with detachment born of reliance on her husband -- the subject of a later parallel novel -- and her secure position in the local society. She is comfortable with, but slighly puzzled by the actions and motives of those arround her. She is certain that when all is said and done, everything will turn out all right. The calm and physical and emotional flatness of her surroundings and her life are beautifully developed by Mr. Connell. His precise, intimate but undramatic style is a perfect complement to his subject. I see a whole generation of my female relatives, all deceased, in Mrs Bridge. Satisified, well provided for, devoted to their families, but faintly aware of missing something. They are of a generation that begain to fade away during WWII and had completely disappeared by the Kennedy inaugration. More so than "Mr. Bridge" this novel is an insight into the life and times of an interesting, but nearly invisible segment of our society: the society matron of of urban middle America -- beautifully done and a pleasure to read. They don't make novels, or people, like "Mrs. Bridge" any more.

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