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Title: Troubadours, Trumpeters, and Troubled Makers: Lyricism, Nationalism, and Hybridity in China and Its Others (Asia-Pacific Series) by Gregory Lee, Gregory B. Lee ISBN: 0-8223-1671-4 Publisher: Duke University Press Pub. Date: 01 May, 1996 Format: Paperback Volumes: 1 List Price(USD): $21.95

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Average Customer Rating: 5 (2 reviews)

Rating: 5
Summary: The China Journal says:
Comment: Louise Edwards writing in The China Journal (July 1999) says: "This innovative volume furthers a dialogue between China studies and postcolonial and cultural studies. Using literary debate as its primary focus (popular music is also discussed in Chapter 6), the book raises questions for all disciplines of China studies, Gregory Lee also makes a timely contribution to the field of postcolonial studies...Troubadours, Trumpeters, Troubled Makers makes a valuable contribution in resisting the "mixophobia" that is so prevalent in academic scholarship."

Rating: 5
Summary: Chineseness and poetic and political cultures
Comment: This book attempts to promote a non-authentic, non ethnocentric, and more complex perspective on certain aspects of Chinese poetic and political culture. Its concerns, as the title suggests, are not just with the culture of making and consuming lyrics, poems and songs, but also with questions to which such practices give rise. As the sub-title ( Lyricism, Nationalism and Hybridity in China and Its Others) suggests the interest is also in 'inauthentic' hybrid practices and communities - the book talks not just about mainland China, but about peripheral communities like Chinatowns and Hong Kong. Since this is a comprative work it looks at other non-national communities and cultures like that of southern France, or Occitania. Nor is the book an orthodox British or Western sinological statement on modern Chinese culture. Rather it attempts to shed light on those lyrical works that are either marginalized and occulted, or considered by conventional scholars to be literally beneath consideration. The chapters on contemporary poetry and the chapter on Chinese popular music, are attempts to do just that. Similarly the chapter on the representation of the Chinese American and the descendants of Chinese immigrants to Britain is there to tell a story of Chinese people who in a sense are no longer Chinese, and yet will always be seen and represented as such, and so at a certain level will always remain so.