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Title: "Forest Beatniks" and "Urban Thoreaus": Gary Snyder, Jack Kerouac, Lew Welch, and Michael McClure by Rod Phillips, Gary Snyder, Jack Kerouac, Lew Welch, Michael McClure ISBN: 0-8204-4159-7 Publisher: Peter Lang Publishing Pub. Date: 01 February, 2001 Format: Hardcover Volumes: 1 List Price(USD): $45.95

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Average Customer Rating: 5 (3 reviews)

Rating: 5
Summary: The Greening of the Beats
Comment: The author sheds light on a side of the beat culture
which has been ignored by the mass media for far too
long. Many a word has been written about the Beat's
frontal attack upon the sleepy surburban world of
America circa late 1950s, but few have bottered to
examine their spiritual awareness as related to Mother
Earth. They were fresh voices who found spiritual
rebirth through nature and were in the forefront of
those questioning the prevalent doctrine of consummerism.
I would heartily recommend this well written book.

Rating: 5
Summary: Must read
Comment: Wow- what a book. This book sheds new light on a topic I feel has already been covered. Phillips' personal interviews are fantastic. I would love to have Phillips for a professor, wait- I do. Phillips is the man, and so is his book. If you are reading this Dr. Phillips can I have a 4.0? You know who I am!

Rating: 5
Summary: The Beats Reconsidered--Finally
Comment: Finally, a scholar has dug through the pop culture mud of the Beats to bedrock below: They weren't just citified tea-heads as Life magazine in the Fifties (and too many academics since) would have us believe. These writers were deeply tuned into the natural world and drew upon it for inspiration and some of their best writing--even the seemingly most urban of the lot--Kerouac. Case and point: Kerouac's "greening" in "Dharma Bums." Phillips' discussion of this novel is especially astute; and it sent me digging for my old copy. Similarly, Phillips' treatment of the Beats and Buddhism (Snyder in particular) is also refreshingly clear and original--not an easy thing to do. Phillips' research, including interviews with McClure, Welch and Snyder, is thorough and convincing. Moreover, his prose is sharp and unencumbered with trendy jargon. I predict Beat scholars will reconsider certain assumptions upon reading this book--and Beat fans will find this to be a unique and excellent addition to the ever-growing Beat canon.