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Revolucion!: Cuban Poster Art

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Title: Revolucion!: Cuban Poster Art
by Lincoln Cushing
ISBN: 0-8118-3582-0
Publisher: Chronicle Books
Pub. Date: 01 June, 2003
Format: Paperback
Volumes: 1
List Price(USD): $19.95
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Average Customer Rating: 5 (4 reviews)

Customer Reviews

Rating: 5
Summary: Excellent Cuban revolutionary art...
Comment: This book has excellent Cuban revolutionary art in it... Page after page covering many different artists and styles... My favorite piece is one which has a man crucified to the dollar sign = $... So true, so true... Money over all, even living a real life... I highly recommend this book to anybody who has an interest in revolutionary artwork since this is very high quality, or a place who does book exchange, or indie book stores to stock it for sell, etc... I'm going to buy this for a friend who is a political comix artist, who I'm sure will love it - Savannah Skye...

Rating: 5
Summary: Colorful, Interesting, Excellent
Comment: This is a very nice and entertaining work on a fascinating subject. Cushing has done his homework, preserving a bit of Cuban heritage that otherwise might have been lost to history. A fine book for any artist's collection, or just to flip through on a rainy day at home.

Rating: 5
Summary: Just a Review
Comment: Composed of a beautiful assemblage of colors, organic contours, prideful expressions of international solidarity with various exploited peoples, cutting edge graphic design techniques, and politically charged subjects, most of the posters presented by Cushing draw artistically from both the traditions of the broadly based, international design styles popular during the late sixties and early seventies as well as those historical subjects, civic concerns, pedagogical projects, and cultural traditions specific to the newly articulated aims of a developing Cuban socialism. Readers familiar with the design styles popular during the time periods in which the posters were produced will recognize that many of the posters reflect the coloring schemes and typographical advances developed internationally during this time. For example, the San Francisco style of design, comprised of bubbling fonts and vivid color arrangements that graphically mirrored the visual experiences of LSD users and hippy culture, can be found in the work of Fernandez Reboiro and Raul Oliva. Aside from overt political proclamations and anti-capitalist polemics, there to exists a wide range of stylistic inventions, visual juxtapositions, humorous 'in jokes' and embedded satire. In describing the thematic cohesion of the selected posters, Cushing also brings attention to the surprisingly "low quotient of socialist realism-the relative absence of heroic, amped-up superworkers and production equipment so prevalent in the revolutionary artwork of the Soviet Union, China and other communist countries." Not only an intensely beautiful collection of historically significant poster art, Revolucion: Cuban Poster Art presents an important work that deepens our understanding of Cuban culture, politics, and artistic achievement at a time when the Bush administration intensifies its venomous attacks upon all things public, collective, non-commodified, and autonomous of U.S. militarism, aggression, and imperial supremacy.

This beautifully compiled text constitutes a rethinking about Cuban aesthetics that expands and challenges rather than limits our understanding of the role of poster art in the social transformation and historical trajectory of a problematic yet dynamically contoured socialist project; the meaning and significance of which is of vital importance to those deeply concerned with the articulation and formulation of an ethico-political vision rooted to the struggle to obtain basic social provisions, expanded forms of dignity, and socioeconomic justice for those people and countries historically rendered silent under the cacaphonic chorus of imperial capitalism's triumphalist babble.

The pedagogical importance of such a work derives in many ways from its potential to rejuvenate and widen our understanding of the cultural and political life of Cuba. Secondly, having been archived, researched, and designed by a librarian whose active commitment to transforming both the library profession and reorientating reductionist perceptions regarding Cuban culture toward a richer, more nuanced reading, we're better able to appreciate the quality of the book and its contents from multiple perspectives.

In these intellectually uncritical times where the shallow end of ideologically suspect, Manichean binaries continue to render pluralistic and reflective forms of dialogue and investigation mute, Cushing's book represents a refreshing rupture with conveniently amnesic and unreflective standpoints regarding Cuba/U.S. relations. In order to further our knowledge of Cuban political and artistic culture without the cemented weight of baseless hysteria and moral absolutism's as is commonly constructed and circulated by those Yankee imperialist supporters and pro-globalization apologists in both the "politically quarantined" academy and corporate media; scholars, journalists, cultural workers and educators must begin to extend their understanding of Cuban/U.S. relations beyond merely the accented points of the dominant, either/or rhetoric that ultimately functions to mute alternative and radical readings that bring to bare the complexity of ideological and material factors.

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