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Performing Live : Aesthetic Alternatives for the Ends of Art

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Title: Performing Live : Aesthetic Alternatives for the Ends of Art
by Richard Shusterman
ISBN: 0-8014-3753-9
Publisher: Cornell University Press
Pub. Date: 01 December, 2000
Format: Hardcover
Volumes: 1
List Price(USD): $43.50
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Average Customer Rating: 3.33 (3 reviews)

Customer Reviews

Rating: 5
Summary: Pragmatically Original
Comment: This is a very exciting and well-written book. Shusterman develops his pragmatist perspective on the themes of aesthetic experience, urbanism, popular art and the new media. There are also illuminating analyses of multiculturalism, style, and body culture. The philosophically most original part of the book may be the two new studies that elaborate his ground-breaking theory of somaesthetics -- a body-mind discipline of theory and practice. But my favorite chapters were those on urban aesthetics, style, and genius that combine strong argument with evocatively lyrical, personal writing. Three of the book's 10 chapters are based on earlier work from his Pragmatist Aesthetics, but they help complement the brand new chapters to turn the book into a very sustained, compelling argument. It all flows together like a great CD.

Rating: 2
Summary: A disappointing book from a very bright philosopher.
Comment: Having read some of Richard Shusterman's previous books, I have to agree with the previous reviewer that Shusterman is one of the brightest, most interesting philosophers writing today. However, this book, PERFORMING LIVE, is a disappointment: it reads like a boring grocery list that could have been written by a mediocre grad. student. Where is Shusterman's usually sizzling, incisive intelligence? Hopefully, his next book will be better.

Rating: 3
Summary: Pragmatist Aesthetics Redux
Comment: Richard Shusterman is one of the most original, interesting, and relevant philosophers writing today. His recent book, PRACTICING PHILOSOPHY, was among the best published in the 1990s. Thus, PERFORMING LIVE comes as something of a disappointment. If you've read PRAGMATIST AESTHETICS in either its original or revised and updated form, you'll notice at least _three full chapters_ here that have been cut and pasted more or less verbatim. The points Shusterman makes in these chapters are eloquent and well-taken, but PERFORMING LIVE isn't that long a book, and one would have hoped Shusterman had something new to say. On a positive note, the new chapters _do_ rank with the best of Shusterman's previous work.

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