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Title: The Image : A Guide to Pseudo-Events in America by DANIEL J. BOORSTIN ISBN: 0-679-74180-1 Publisher: Vintage Pub. Date: 01 September, 1992 Format: Paperback Volumes: 1 List Price(USD): $14.95 |
Average Customer Rating: 4.25 (8 reviews)
Rating: 5
Summary: Credibility vs. Truth, Hero vs. Celebrity
Comment: "A celebrity is a person who is well-known for their well-knownness" -- an observation from this book that is one of the most often quoted bits of wisdom on the subject of celebrity, and deservedly so. But this is just one of many quotable observations made by Boorstin in this prescient, clear-eyed look at the beginning of the post-modern world. Written in 1962, this book has been mined by writers on modern society of every stripe: French postmods (who don't credit Boorstin), Neil Postman (who does). Though it suffers a bit from the outdated examples used to elucidate his points about the "Graphic Revolution" -- his line in the sand between the modern and pre-modern -- the book is so cogently argued that it rarely matters.
His main thematic device is to dichotomize pre-modern and modern/postmodern categories. For instance, in discussing celebrity he notes that the precursor of the celebrity was the hero. He explains the difference by saying that the hero was "folk" based, while the celebrity is "mass" based. George Washington was raised to the level of hero by the people for his deeds, his fame embroidered by them, cherry trees invented for him to chop down. On the other hand, celebrities -- the Gabor sisters to use one of his examples -- were celebrities before they even starred in movies. They were created by astute publicists and through their own knack of getting into the paper.
He actually starts his discussion about how the image has come to be substituted for ideals in his first chapter on the gathering and dissemination of the news. He notes the rise of the pseudo-event, e.g., the press conference, the press leak, the crafty reporter calling sources and playing their quotes off of each other until the reporter arrives at something he can call news. He notes that newpapers actually used to contain reportage on events, things that had actually happened that were not designed to be covered by the media. Crimes, he notes in his summary, are the almost the only kind of real news left. (This before the era of copycat murders).
A brilliant, insightful diagnosis of our image-laden world that still holds up after 40 years. The only thing that's changed perhaps is how accustomed we've gotten to the image and the extent to which we're now sold on authenticity by marketers. His discussion of Barnum as the precursor to advertising is worth the price of the book. His sections on public opinion polling, on public relations, on advertising are dead on, too. He also takes on the sociologists of the time for their "nodal" thinking, their bland concepts such as "status anxiety." No one is spared.
The twist the postmods put on Boorstin's observations is that they say they take delight in the artificiality of the image, the bricolage, the spectacle, etc. (A postmod may be best known for their too-knowing knowingness and celebration of deception). But Boorstin is actually concerned about the destabilizing effects of the acceptance of the standard of "credibility" (which has supplanted "truth"). Too, he's worried that the American image we project is not based on ideas or ideals, but only things, only images. He says at one point that folks in the developing world prefer not to be hammered with the look of all things American, that it makes us look shallow as compared to those societies which are based on ideas (like Communism was -- ironically enough because it was founded on materialism). And though our images and our things apparently won out over Communism, there is still something pertinent about this observation. Pragmatism may have saved us from the ravages of idealism that gave rise to facist movements in Europe, but it spared us so that we could look empty-headed, only interested in moving ahead, unquestioningly.
Rating: 5
Summary: Brilliant
Comment: In general, I recommend anything Boorstin writes: his essays are lucid and his ideas are always perceptive. I read this book around 6 years ago and lost it. I'd like to order it again. What makes this book particularly brilliant is Boorstin's insights into how perception, specifically media perception, influences us psychologically and, thereby, reality. (Think of that Esquire Ad campaign: perception vs. reality.) Also, Boorstin is one of the few contemporary thinkers who writes clearly, without pretensions.
Rating: 4
Summary: Still Insightful
Comment: Boornstin is such a prolific writer that it's easy to see how this book got passed over by most readers in the 60s. Coming from a serious academic, it must have sounded a stuffy attack on a progressive new medium (TV) and industry (Public Relations)...compare this to some of today's rantings about the evils of the internet.
It's so insightful. The book is quite powerful in that Boornstin's observations of 1962 are now just commonly accepted.
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Title: Hidden History : Exploring Our Secret Past by Daniel J. Boorstin ISBN: 0679722238 Publisher: Vintage Pub. Date: 14 May, 1989 List Price(USD): $14.00 |
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Title: The Americans: The Democratic Experience by DANIEL J. BOORSTIN ISBN: 0394710118 Publisher: Vintage Pub. Date: 12 July, 1974 List Price(USD): $19.00 |
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Title: Life: The Movie : How Entertainment Conquered Reality by Neal Gabler ISBN: 0375706534 Publisher: Vintage Pub. Date: 29 February, 2000 List Price(USD): $14.00 |
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Title: The Americans: The National Experience by DANIEL J. BOORSTIN ISBN: 0394703588 Publisher: Vintage Pub. Date: 12 February, 1967 List Price(USD): $16.00 |
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Title: Intimate Strangers by Richard Schickel ISBN: 1566633176 Publisher: Ivan R Dee, Inc. Pub. Date: 01 September, 2000 List Price(USD): $16.95 |
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