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Title: Michelangelo and the Pope's Ceiling by Ross King ISBN: 0-14-200369-7 Publisher: Penguin USA (Paper) Pub. Date: 25 November, 2003 Format: Paperback Volumes: 1 List Price(USD): $15.00 |
Average Customer Rating: 4.86 (36 reviews)
Rating: 5
Summary: Fascinating tale of fresco work at the Sistine Chapel
Comment: None of Michelangelo's other works ever won him quite the same renown as his fresco in the Sistine Chapel, a building now virtually synonymous with his name. Almost immediately after Michelangelo unveiled it in 1512, the fresco became like an academy for artists, who had since long been using the Sistine Chapel as storehouse of ideas. They treated works of Michelangelo as some kind of a portfolio through which they concocted new ideas. The prestigious style of buon fresco generated intense interest, in particular, among a new generation of painters that pioneered a movement later known as mannerism.
MICHELANGELO AND THE POPE'S CEILING recounts the beguiling, fascinating story of the four extraordinary years Michelangelo Buonarroti spent laboring over the 12,000 square feet of the vast ceiling made up of concave vaults, spandrels, and lunettes. The works marked an entirely new direction in which he had brought the power, vitality, and sheer magnitude of works of sculpture into the realm of painting.
The commission, however, did not commence on an auspicious note, as Michelangelo had meager experience as a painter, let alone working in the delicate medium of fresco and painting bent-back the concave and curved surfaces of vaults. Having been a masterful sculptor who had unveiled the statue "David" four years prior to the pope's summon, his rival Bramante took advantage of his lack of experience to thwart Michelangelo's ambitions and so to destroy his reputation. Such alleged conspiracy as perceived by Michelangelo made the dreadful commission all the more invidious. He would either refuse the Sistine project, and in doing so incurred the ire of Pope Julius II, or else failed miserably in his attempt through lack of experience.
The outcome of Michelangelo's works had proudly (and vindictively) served as a triumphant reply to the sneer of his insidious rival, who had once stated that he would be unable to paint overhead surfaces because he understood nothing of foreshortening. What Michelangelo had achieved was exactly the sheer opposite: he demonstrated how vastly more daring and successful his foreshortening technique had become following four years on a special scaffold he designed for the purpose. It was through the power, arm-raced politics, vicious personal rivalries, and a constant paranoia over the possible hiatus of the commission that Michelangelo achieved a virtuoso performance at the summit of his powers.
Battling against illness, financial difficulties, consistent changes of assistantships, domestic problems, family drama, predatory rival of the commission, and the pope's impatience and petulance, Michelangelo created his masterful scenes - The Creation, The Temptation, The Flood, The Crucifixion of Haman, The Brazen Serpent, David and Goliath - so beautiful that the telling movements lent the figures their verisimilitude and intense drama.
The book is not a critique of Michelangelo's art works, but to a small extent it does make comparison to works of Raphel, a brilliant young painter who was working in fresco on the neighboring Stanza del Segnatura, the papal apartments. Michelangelo's ability to generate, in a short space of time, so many of hundreds of postures for the Sistine's ceiling stunned the young artist. Raphael's works after 1512, the unveiling of Michelangelo's fresco at Sistine, manifested absorption of Michelangelo's style: the tumult of bodies, throngs of figures in dramatic, muscle-straining poses showing gradations of tone along anatomically accurate knots of muscles.
Ross King has written a brilliant book that combines uncommon insight on Michelangelo's works with historical facts. Woven through the artist's progress on the Sistine commission was history of upheaval during 16th century Italy, when Pope Julius II devoted on military campaigns against other Italian city states and against Louis XII of France. Niccolo Machiavelli defended Florence, Michelangelo's hometown, against Julius's attacking forces bent on restoring the Medicis to power. MICHELANGELO AND THE POPE'S CEILING painted a portrait of life in Michelangelo's Rome, on the ingenious scaffold in Sistine Chapel, as well as the daily minute history of Italy. It is a book through which history and art converge.
2004 (32) © MY
Rating: 5
Summary: Fascinating slice of history
Comment: Ross King's story of the "Pope's ceiling" is much more than the history of the painitng of the Sistine Chapel, as fascinating as that is. Spanning only four years, this book is art history, military history, church history and more all in one. Michelangelo was a renowned sculptor, who at the beginning of the 16th century was commissioned by Julius II to create the grandest tomb the world had known. But Julius, the feared and volatile ruler of part of Italy as well as the Pope, changed his mind before Michelangelo started, and directed him to paint the chapel instead. Unskilled in the complicated fresco process, and bitterly disappointed, Michelangelo nevertheless has no choice and begins the project. King details the challenging job of preparing the walls, transferring the design to the plaster, quickly painting before the walls dry. The author debunks many of the stories that have grown up over the years--Michelangelo did not work alone but with a changing crew of assistants; he did not lie on his back but painted in a much more uncomfortable position--standing, looking up.
King also offers an intriguing look at the corrupt church of the time, as we recall that the chapel is being painted on the eve of the Protestant reformation. The pope is hardly a spiritual leader, but one prince among many, with the extra power of condemning his enemies to hell or granting forgiveness and absolution for sins. Julius spends more time warring with rival kingdoms than worrying about salvation, and one cannot help thinking of the many lives lost during these useless escapades. Julius fancies himself as the successor not only of the first pope Peter but of Christ himself, and his triumphant entry into conquered cities in a fashion reminiscent of Palm Sunday are colorfully described. The clergy are uneducated, poor and hardly living a life of holiness--the vow of chastity simply means one cannot marry, and as a result Rome is overrun with prostitutes. In a wonderful aside, King quotes from the writings of the young Martin Luther--overjoyed at the prospect of visiting Rome's holy shrines, he quickly sees the filth and corruption in the city, which no doubt deeply influenced his subsequent break with Rome.
King does a wonderful job describing the fresco itself, explaining the origins of the designs in history, the classics, and earlier art works. We also learn quite a bit about Raphael, a young likeable man about town compared to the grumpy Michelangelo. Raphael was painting the pope's apartments at the same time as Michelangelo was working on the ceiling, and King does a great job explaining the differences between these two great masters. Leonardo da Vinci, the older, acknowledged master, was also working at this time, and King refers to his works throughout.
Whatever one might say about Julius and the corruption of the time, the popes did much to nuture the flowering of the Renaissance, and they certainly knew their art! This book is highly recommended--the audio version is also very well done.
Rating: 5
Summary: Michaelangelo still shines brightly
Comment: I just finished this wonderful book by Ross King. It details the life of Michaelangelo during the 4 years he spent painting the ceiling of the Sistine Chapel. It offers a mix of family history, art history, Vatican history and a detailed overview of each scene in the chapel and what may have led to its creation.
King is great at making history come alive. He includes incidents both private and public in an effort to allow the reader to understand not only the artist, but also time in which he lived.
King's previous book, Brunelleschi's Dome: How a Renaissance Genius Reinvented Architecture, contained all these traits as well. I read through each of these books in the course of a week or so, picking them up when I had a spare moment or needed to engage in something other than business books or my daily work.
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Title: Brunelleschi's Dome: How a Renaissance Genius Reinvented Architecture by Ross King ISBN: 0142000159 Publisher: Penguin USA (Paper) Pub. Date: 30 October, 2001 List Price(USD): $13.00 |
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Title: The House of Medici: Its Rise and Fall by Christopher Hibbert ISBN: 0688053394 Publisher: Perennial Pub. Date: 02 June, 1999 List Price(USD): $16.00 |
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Title: The Feud That Sparked the Renaissance : How Brunelleschi and Ghiberti Changed the Art World by Paul Robert Walker ISBN: 0380977877 Publisher: William Morrow Pub. Date: 26 November, 2002 List Price(USD): $24.95 |
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Title: The Agony and the Ecstasy: A Biographical Novel of Michelangelo by Irving Stone ISBN: 0451171357 Publisher: New American Library Pub. Date: December, 1996 List Price(USD): $8.99 |
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Title: Pompeii: A Novel by ROBERT HARRIS ISBN: 0679428895 Publisher: Random House Pub. Date: 18 November, 2003 List Price(USD): $24.95 |
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