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Humboldt's Gift (Penguin Twentieth-Century Classics)

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Title: Humboldt's Gift (Penguin Twentieth-Century Classics)
by Saul Bellow
ISBN: 0-14-018944-0
Publisher: Penguin USA (Paper)
Pub. Date: June, 1996
Format: Paperback
Volumes: 1
List Price(USD): $14.95
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Average Customer Rating: 3.91 (23 reviews)

Customer Reviews

Rating: 2
Summary: Pulitzer Prize? My Gawwwwwd.
Comment: This book is just one more example of how Pulitzer Prizes and Nobel Prizes don't mean squat. Saul Bellow is not one of the best authors of the 20th century and this book is not or should not be an American classic. Bellow suffers from what I like to call the Heinlien syndrome. He wrote concise short books with good stories at the beginning of his career and then increasingly got sidetracked by ethics, morality, intellectualism, and name-dropping in his works. Not to say a great book can't contain a moral but at least concentrate on the plot and story to support the moral.

This book is agonizing to read. There is no straight forward time line. The narrator skips back in forth through time to different events and memories at such a bewildering rate that it becomes a chore just to keep everything straight. That wouldn't be so bad except for the absurd conversations between Von Humboldt and Citrine. Neither of these characters came off as believable to me in the least.

The central focus of the book is the relationship between Von Humboldt, a poet, and Citrine, an award winning author but the plot actually takes place after Humboldt's death. Citrine comes off as one of the stupidest intellectuals I have ever had the misfortune of reading about. The all time lamest scene is when Rinaldo, a low level thug, kidnaps Citrine and then forces him into the bathroom at gunpoint while he relieves his bowels. WTF?

In short, if you want to read about the depths of the human soul you would be much better off reading Rimbaud, Celine, Sholokov, Hesse, or even Hemingway. Stay away from this author and his pretentious and absurd novels.

Rating: 5
Summary: Bellow's Resolution
Comment: I think this is Bellow's materwork. An author who has always searched for evidence of the human soul in contemporary society, the questions Bellow raised in each of the novels leading to this point (Herzog particularly), finally find a resolution in this book, his last novel before winning the Nobel Prize.

This is a story of Charlie Citrine, a sucessful author who finds himself struggling for meaning while confronting the ghosts of memory, particularly in the relationship with his friend, mentor; and, at many points, antagonist, Von Humboldt Fletcher. Curiously, the novel is thrown into action and suspense through Citrine's dealings with a minor gangster, Cantible. The relationship, though, turns out to be one that brings Citrine back to the "here and now." Just as he is on the brink of being lost in transcendental wanderings, Citrine is snapped back to his resposibility by Cantible.

And, from such an unlikely source, the novel begins its reach towards resolution: to be fully human, Citrine must be spiritual but remain part of the world. Meaning and true spirituality come through compassion, empathy, caring. Once Citrine and the reader discover this, the novel reaches a resolution that marked the end of an era in many of Bellow's themes. This novel is simply a must for anyone who has enjoyed any of Bellow's earlier works, as well as for anyone who, like Chalie Citrine, struggle to find a place for the soul, the human spirit, in a world that seems to have forgotten such a thing may exist.

Rating: 5
Summary: Odyssey of an American poet
Comment: As in Bellow's "Herzog" and "Seize the Day," the protagonist of "Humboldt's Gift" is a highly educated late-middle-aged man who's made a minor mess of his life but weathers the storm with any resources of which he can avail himself. Charlie Citrine, an Appleton, Wisconsin, native transplanted to Chicago, is an author and a briefly successful playwright who spends the novel reminiscing about his longtime friendship with the late poet Von Humboldt Fleisher, an eccentric genius and self-diagnosed manic depressive, and describing the people and events in his life that somehow seem to shape themselves around his relationship with Humboldt.

Humboldt once had a goal to raise the esteem of the poet's role in American society. In 1952 he believed an Adlai Stevenson presidency would allow the involvement of more intellectuals in government; when this hope crumbled, he sought and won an ephemeral poetry chair at Princeton, where he and Citrine concocted a strangely Sophoclean movie treatment about a doomed Arctic expedition and a man who became a cannibal. This was not the last of their show business aspirations; Citrine's play, "Von Trenck," based loosely on Humboldt's life and therefore vexatious to Humboldt, was a hit on the theater circuit and was made into a movie.

Citrine's dubious fortune attracts all kinds of problems with love and money. His ex-wife Denise is straining him over an uncomfortable divorce settlement; his new girlfriend, a much younger woman named Renata, takes advantage of him and leaves him stranded in Madrid to babysit her son. A simple poker night results in an undesirable association with a small-time gangster named Rinaldo Cantabile from which he can't seem to extricate himself.

Character creation is where Bellow really excels; he seeks the individual in every person he invents and never exploits stereotypes or resorts to caricatures for the sake of broad humor. Observe the swaggering confidence of Citrine's friend George Swiebel, an actor turned construction contractor; the smug demeanor of the dapper, cosmopolitan Thaxter, whom Citrine hires as an editor for a magazine yet (and probably never) to be published; the affectionate gruffness of Citrine's older brother Julius, a wealthy, sickly businessman who never shed his working-class sensibilities. These are people you'd be no more surprised to meet in reality than on the pages of a book.

A criticism against Bellow is that he has a tendency to sacrifice cohesive plots for the random portrayal of human hysteria, a collection of disparate people thrown together haphazardly. The problem is not that his novels lack believability; rather, they are often too believable, and sometimes I think they would benefit from just a little more artifice. In that regard, "Humboldt's Gift" strikes me as one of his better novels along with "Henderson the Rain King," built upon a substantial story that achieves a certain amount of closure because the protagonist is finally entrusted with a responsibility (the "gift") that, handled properly, could change his life for the better.

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