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Title: Architects on Architects by Susan Gray, Paul Goldberger ISBN: 0-07-137583-X Publisher: McGraw-Hill Professional Publishing Pub. Date: 16 August, 2001 Format: Hardcover Volumes: 1 List Price(USD): $39.95 |
Average Customer Rating: 4.86 (7 reviews)
Rating: 5
Summary: New York Times / Martin Filler
Comment: "...much more edifying is Tadao Ando's epiphany on his first visit to Le Corbusier's Ronchamp chapel: 'Because of the overwhelming spatial experience, which penetrated deep into my soul, I had to escape after staying less than one hour. I was awe-struck by a light unprecedented in my life.'Best among the other appreciations are Carlos Jimenez on Luis Barragan; Ricardo Legorreta on another Mexican, the little-remembered Jose Villagran;and Hugh Hardy on William van Alen, architect of the Chrysler Building. As Hardy writes of that idiosyncratic aluminum-spired skyscraper,'This iconic office building goes for broke, flaunting the exterior skin's independence as a costume pageant of pattern, gleaming profiles and symbolic panache. It's a theatrical gesture that identifies this as a building like no other, and gives New Yorkers proof that they are extraordinary.'"
Rating: 4
Summary: Susan Gray--Does it again!!!
Comment: Classic text, rich assortment of photos, all presented in this, the new contemporary work on archs. What could she possibly venture into next....can't wait Ms. Gray
Rating: 5
Summary: Architecture + Urbanism / Ken Tadashi Oshima
Comment: Introspecting Influence
Who inspired the Whos Who of Architecture? "Architects on Architects" attempts to address this loaded question in a series of 24 essays by leading architects of the late twentieth century from around the world from Norman Foster to Carlos Jimenez to Tadao Ando. As the essays illustrate, influence is actually not simply a question of "who?" but rather comes from a number of different sources: a single building, an entire career of an architect,or sometimes just an attitude or way of looking. Many of these influential experiences happened during the architects formative years as students or interns and the impact of how these influences changed the direction of a life are revealed for the first time in these later career recollections. For Richard Rogers, his visit to the Maison de Verre as a student in 1955 would not only determine his thesis project, it would stay with him through the next half century as the symbol of "the power of innovation itself." For Tadao Ando, Le Corbusiers words in "Vers une Architecture" stressing that a journey in ones youth has a deep and strong significance throughout a lifetime inspired the young untrained aspiring architect to visit Le Corbusiers church at Ronchamp in 1965.As the essays attest, the importance of an architect can be measured not only by his or her designs, but also by the architects impact on other architects careers. Based on this criteria, Le Corbusier, Paul Rudolph,and Louis Kahn appear in these essays as some of the most influential architects. However, although five of the 24 essays are devoted to Le Corbusier, we see five very different aspects of the master architect: Ando describes impressions of Ronchamp, Michael Graves talks about Le Corbusiers method of drawing, William Lim discusses him in relation to Frank Gehry, Sumet Jumsai describes his personal meeting, and Arata Isozaki describes the context of his death. While Paul Rudolphs reputation suffered greatly during the Postmodern period, we see his lasting impact through his students who studied at Yale ranging from Norman Foster to current dean Robert A. M. Stern.
One of the most interesting aspects of this collection is the great variety of topics that the architects chose to write about. Some easily understandable choices include Cesar Pelli writing about his mentor and former employer Eero Saarinen and high-rise building specialist William Pederson writing about Rockefeller Center. However, it might come as a surprise to see Diana Agrest writing about architect-turned-filmmaker Sergei M. Eisenstein or Richard Meier writing about Frank Lloyd Wright rather than Le Corbusier. For the most part, these short essays are poignantly written -- a refreshing change from the typical arrogance and incoherence of many architects writing about their own work. Nevertheless, the essays shed great insight into the
architects inner thinking and also reveal architecture as a collective profession greater than the work of any single architect.The collection serves as a valuable document to understand this generation of architects from the second half of the twentieth century and also begs the question of how this generation will influence future generations of architects.
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Title: In Detail: Building Skins: Concepts, Layers, Materials by Christian Schittich ISBN: 3764364653 Publisher: Birkhauser (Architectural) Pub. Date: February, 2002 List Price(USD): $82.95 |
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